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Boel Ulfsdotter Female Agency and Documentary Strategies (Hardback)
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eBay-objectnummer:235212594103
Specificaties
- Objectstaat
- Book Title
- Female Agency and Documentary Strategies
- Publication Name
- Female Agency and Documentary Strategies : Subjectivities, Identity and Activism
- Title
- Female Agency and Documentary Strategies
- Subtitle
- Subjectivities, Identity and Activism
- Contributor
- Anna Backman Rogers (Edited by)
- Format
- Hardcover
- EAN
- 9781474419475
- ISBN
- 9781474419475
- Publisher
- Edinburgh Tea & Coffee Company University Press
- Genre
- Films & TV
- Release Year
- 2018
- Release Date
- 31/01/2018
- Language
- English
- Country/Region of Manufacture
- GB
- Item Height
- 0.7in
- Item Length
- 6.4in
- Publication Year
- 2018
- Type
- Textbook
- Item Width
- 9.4in
- Item Weight
- 16.7 Oz
- Number of Pages
- 224 Pages
Over dit product
Product Information
This book, like its twin volume Female Authorship and the Documentary Image , centres on pressing issues in relation to female authorship in contemporary documentary practices. Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars now expand the theoretical and practical framework informing the current scholarship on documentary cinema, which has so far neglected questions of gender. Female Agency and Documentary Strategies centres on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth. The book examines the scope of authorship and agency open to women using these technologies as a form of activism, centring on notions of relationality, selfhood and subjectivity, and includes interviews with Hong Kong based activist filmmaker and scholar Vivian Wenli Lin and Spanish documentarist Mercedes Alvarez.
Product Identifiers
Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
147441947x
ISBN-13
9781474419475
eBay Product ID (ePID)
22038646638
Product Key Features
Publication Name
Female Agency and Documentary Strategies : Subjectivities, Identity and Activism
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
224 Pages
Dimensions
Item Length
6.4in
Item Height
0.7in
Item Width
9.4in
Item Weight
16.7 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.D6
Reviews
That women are at the forefront of new documentary practices and forms should come as no surprise. Documentary, whether those writing its history have recognised it properly or not, has always had its female innovators, dating all the way back to Esfir Shub and Ruby Grierson. The focus on authorship, in relation to significant shifts, both technological and cultural, is useful and important especially considering how implicitly gendered discussions of authorship have been historically. But perhaps the most exciting contribution of this book is its feminist updating of activist media, another male dominated area of film/media studies, and one in which women's contribution has been nothing short of profound. This volume writes the history of the latest transformations in documentary with women filmmakers from all over the world, and not just the global north, at the center. It serves as a corrective and a model for future attempts to narrate that history going forward.
Table of Content
Preface Kate Nash Introduction Boel Ulfsdotter and Anna Backman Rogers Section one: NEW MEDIA AND ACTIVISM Chapter 1: KRISTOPHER FALLON: "The Pencil of Identity: Instagram as Inadvertent (Female) Autobiography"Chapter 2: CADENCE KINSEY: "Archetype and Authenticity: Reflections on Amalia Ulman's Excellences and Perfections"Chapter 3: MONICA TITTON: "Blogging the Female Self: Authorship, Self-Performance and Identity Politics in Fashion Blogs" Section two: RELATIONALITY, SELFHOOD AND SUBJECTIVITIES Chapter 4: GAIL VANSTONE: "'Scriptrix Narrans' - Digital Documentary Storytelling's Radical Potential"Chapter 5: KIM MUNRO: "Hybrid Practices and Voice-Making in Contemporary Female Documentary Film" Chapter 6: KERREEN ELY-HARPER: "Record Keeping: Family Memories on Film - Rea Tajiri's History and Memory: For Akiko and Takashig and Wisdom Gone Wild "Chapter 7: ANNA BACKMAN ROGERS: "Not Because My Heart Is Gone; Simply The Other Side": Francesca Woodman's Relational and Ephemeral Subjectivity at the Limit of the Image"Chapter 8: CARLA MAIA: "Other Women: Thinking Class and Gender in Contemporary Interview: "Visualising Our Voices": Hong Kong Scholar and Film Director Vivian Wenli Lin, in Conversation With Boel Ulfsdotter" Section three: IDENTITY POLITICS OF DOCUMENTARY Chapter 9: ANNA MISIAK: "From Visceral Style to Discourse of Resistance": Reading Alka Sadat's Afghan Documentaries on Violence Against Women"Chapter 10: JOHN A. RILEY: "Documenting Georgia in Transition: The Films of Salome Jashi and Nino Kirtadze"Chapter 11: LIDIA MERAS: " Profession: Documentarist . Underground Documentary Making in Iran"Interview: "Reflecting Through Images": The Documentaries of Mercedes Alvarez by Linda Ehrlich
Copyright Date
2018
Topic
Film / Référence, Film / Direction & Production, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Dewey Decimal
791.43082
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Performing Arts
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