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Bronwen Low Slam School (Hardback)

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Slam School
Publication Name
Slam School : Learning Through Conflict in the Hip-Hop and Spoken Word Classroom
Title
Slam School
Subtitle
Learning Through Conflict in the Hip-Hop and Spoken Word Classroo
Author
Bronwen Low
Format
Hardcover
ISBN-10
0804763658
EAN
9780804763653
ISBN
9780804763653
Publisher
Stanford University Press
Genre
Society & Culture
Subject
Genres & Styles / Rap & Hip Hop, Secondary, Multicultural Education, Study & Teaching, General, Anthropology / Cultural & Social, Teaching Methods & Materials / Language Arts, Social Psychology, Philosophy, Theory & Social Aspects
Release Date
22/03/2011
Release Year
2011
Language
English
Country/Region of Manufacture
US
Item Height
0.6 in
Item Length
9 in
Item Weight
15.2 Oz
Subject Area
Education, Psychology, Music, Language Arts & Disciplines, Social Science
Publication Year
2011
Type
Textbook
Item Width
6 in
Number of Pages
208 Pages

Over dit product

Product Information

Exploring the often difficult relations between hip-hop and schooling, Slam School builds a new and surprising argument: the very reasons teachers and administrators might resist the deliberate introduction of hip-hop into the planned curriculum are what make hip-hop so pedagogically vital.

Product Identifiers

Publisher
Stanford University Press
ISBN-10
0804763658
ISBN-13
9780804763653
eBay Product ID (ePID)
99634739

Product Key Features

Author
Bronwen Low
Publication Name
Slam School : Learning Through Conflict in the Hip-Hop and Spoken Word Classroom
Format
Hardcover
Language
English
Subject
Genres & Styles / Rap & Hip Hop, Secondary, Multicultural Education, Study & Teaching, General, Anthropology / Cultural & Social, Teaching Methods & Materials / Language Arts, Social Psychology, Philosophy, Theory & Social Aspects
Publication Year
2011
Type
Textbook
Subject Area
Education, Psychology, Music, Language Arts & Disciplines, Social Science
Number of Pages
208 Pages

Dimensions

Item Length
9 in
Item Height
0.6 in
Item Width
6 in
Item Weight
15.2 Oz

Additional Product Features

LCCN
2010-044388
Intended Audience
Trade
Lc Classification Number
Lb1631
Reviews
"Overall, Low's book is useful for community literacy scholars as an application and assessment of a popular practice and growing pedagogy in schools and community organizations . . . Low's approach, of juxtaposing multiple interpretations of an event, is one step toward focusing more intently on listening and audience. This practice is one that any discussion of conflict and pedagogy should feature, and scholars who engage with this book will have found another tool for doing so."—Amanda Fields, Community Literacy Journal, "The book illuminates on the consequences of the deficit model of schooling in American society; it also describes the reality of racism, marginalisation, and exclusion of minorities in the school context, providing a solution to improve the quality of learning and teaching for African American and Latino students."--Rupam Saran, Anthropological Forum, "Low not only synthesizes hip-hop and spoken word history and culture, she brings them to life through a dynamic pedagogical portrait examining the complexities and power of creating a curriculum around youth culture. Slam School is a must read for educators seeking to bridge the gap between the coffee house and the school house."-Maisha T. Winn (formerly Maisha T. Fisher), Emory University, author of Writing in Rhythm and Black Literate Lives, "Low not only celebrates the potential of using hip-hop in the classroom, but also examines the very real and difficult tensions that both inhibit and demand its use in schools. Her concern with issues of cultural 'insider and outsider-ness,' the sharing of authority and expertise in student-teacher dynamics, and the contradictory nature of popular culture, all enable teachers with little or no connection to hip-hop and spoken word to engage these artistic, literary, and verbal traditions."--H. Samy Alim, Stanford University, "Low's Slam School gives hope to teachers by offering an alternative to standard language forms while also empowering students' identities, cultures, and language (in its many forms) through a student-centered pedagogy based on hip-hop and spoken word."—Tiffany Farias-Sokoloski, International Journal of Multicultural Education, "Low imparts an insightful account of how slam poetry provided students with an essential critical space to acknowledge shared identifications, negotiate new meanings, and witness displays of each other's academic and social strengths . . . [T]his book will inspire practitioners to afford learners with creative, culturally relevant, and meaningful ways to express their realities."--Tryphenia B. Peele-Eady, Journal of Anthropological Research, " Slam School is a welcome and necessary addition to the current literature on hip-hop based education. Drawing from an impressive range of intellectual traditions, the book also adds a sorely needed layer of theoretical complexity and practical insight to the current conversations around youth culture, pedagogy, and identity. Low's careful, wide-ranging, and reflexive analysis will be instructive to scholars, theorists, and practitioners alike."--Marc Lamont Hill, author of Beats, Rhymes, and Classroom Life: Hip-hop Pedagogy and the Politics of Identity, "Low not only synthesizes hip-hop and spoken word history and culture, she brings them to life through a dynamic pedagogical portrait examining the complexities and power of creating a curriculum around youth culture. Slam School is a must read for educators seeking to bridge the gap between the coffee house and the school house."--Maisha T. Winn (formerly Maisha T. Fisher), Emory University, author of Writing in Rhythm and Black Literate Lives, "Low not only celebrates the potential of using hip-hop in the classroom, but also examines the very real and difficult tensions that both inhibit and demand its use in schools. Her concern with issues of cultural 'insider and outsider-ness,' the sharing of authority and expertise in student-teacher dynamics, and the contradictory nature of popular culture, all enable teachers with little or no connection to hip-hop and spoken word to engage these artistic, literary, and verbal traditions."--H. Samy Alim, Stanford University "Low not only synthesizes hip-hop and spoken word history and culture, she brings them to life through a dynamic pedagogical portrait examining the complexities and power of creating a curriculum around youth culture. Slam School is a must read for educators seeking to bridge the gap between the coffee house and the school house."--Maisha T. Winn (formerly Maisha T. Fisher), Emory University, author of Writing in Rhythm and Black Literate Lives " Slam School is a welcome and necessary addition to the current literature on hip-hop based education. Drawing from an impressive range of intellectual traditions, the book also adds a sorely needed layer of theoretical complexity and practical insight to the current conversations around youth culture, pedagogy, and identity. Low's careful, wide-ranging, and reflexive analysis will be instructive to scholars, theorists, and practitioners alike."--Marc Lamont Hill, author of Beats, Rhymes, and Classroom Life: Hip-hop Pedagogy and the Politics of Identity, "The book illuminates on the consequences of the deficit model of schooling in American society; it also describes the reality of racism, marginalisation, and exclusion of minorities in the school context, providing a solution to improve the quality of learning and teaching for African American and Latino students."-Rupam Saran, Anthropological Forum, "Overall, Low's book is useful for community literacy scholars as an application and assessment of a popular practice and growing pedagogy in schools and community organizations . . . Low's approach, of juxtaposing multiple interpretations of an event, is one step toward focusing more intently on listening and audience. This practice is one that any discussion of conflict and pedagogy should feature, and scholars who engage with this book will have found another tool for doing so."--Amanda Fields, Community Literacy Journal, "Low's Slam School gives hope to teachers by offering an alternative to standard language forms while also empowering students' identities, cultures, and language (in its many forms) through a student-centered pedagogy based on hip-hop and spoken word."-Tiffany Farias-Sokoloski, International Journal of Multicultural Education, "Low imparts an insightful account of how slam poetry provided students with an essential critical space to acknowledge shared identifications, negotiate new meanings, and witness displays of each other's academic and social strengths . . . [T]his book will inspire practitioners to afford learners with creative, culturally relevant, and meaningful ways to express their realities."-Tryphenia B. Peele-Eady, Journal of Anthropological Research, "The book illuminates on the consequences of the deficit model of schooling in American society; it also describes the reality of racism, marginalisation, and exclusion of minorities in the school context, providing a solution to improve the quality of learning and teaching for African American and Latino students."—Rupam Saran, Anthropological Forum, "Low's Slam School gives hope to teachers by offering an alternative to standard language forms while also empowering students' identities, cultures, and language (in its many forms) through a student-centered pedagogy based on hip-hop and spoken word."--Tiffany Farias-Sokoloski, International Journal of Multicultural Education, "Low not only celebrates the potential of using hip-hop in the classroom, but also examines the very real and difficult tensions that both inhibit and demand its use in schools. Her concern with issues of cultural 'insider and outsider-ness,' the sharing of authority and expertise in student-teacher dynamics, and the contradictory nature of popular culture, all enable teachers with little or no connection to hip-hop and spoken word to engage these artistic, literary, and verbal traditions."-H. Samy Alim, Stanford University, "Low not only synthesizes hip-hop and spoken word history and culture, she brings them to life through a dynamic pedagogical portrait examining the complexities and power of creating a curriculum around youth culture. Slam School is a must read for educators seeking to bridge the gap between the coffee house and the school house."—Maisha T. Winn (formerly Maisha T. Fisher), Emory University, author of Writing in Rhythm and Black Literate Lives, "Low imparts an insightful account of how slam poetry provided students with an essential critical space to acknowledge shared identifications, negotiate new meanings, and witness displays of each other's academic and social strengths . . . [T]his book will inspire practitioners to afford learners with creative, culturally relevant, and meaningful ways to express their realities."—Tryphenia B. Peele-Eady, Journal of Anthropological Research
Copyright Date
2011
Dewey Decimal
428.0071/2
Dewey Edition
22
Illustrated
Yes

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