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Samuel Beckett's Self-Referenti al Drama: The Sensitive Chaos - Shimon Levy
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Bevindt zich in: Portland, Oregon, Verenigde Staten
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eBay-objectnummer:234942753539
Specificaties
- Objectstaat
- ISBN
- 9781902210544
- Publication Year
- 2002
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition
- Item Height
- 0.8in
- Item Length
- 6.2in
- Publisher
- Liverpool University Press
- Item Width
- 9.1in
- Item Weight
- 15.5 Oz
- Number of Pages
- 187 Pages
Over dit product
Product Information
An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.
Product Identifiers
Publisher
Liverpool University Press
ISBN-10
1902210549
ISBN-13
9781902210544
eBay Product ID (ePID)
1909983
Product Key Features
Publication Name
Samuel Beckett's Self-Referential Drama : the Sensitive Chaos, 2nd Edition
Format
Hardcover
Language
English
Publication Year
2002
Type
Textbook
Number of Pages
187 Pages
Dimensions
Item Length
6.2in
Item Height
0.8in
Item Width
9.1in
Item Weight
15.5 Oz
Additional Product Features
Lc Classification Number
Pr6003.E282z77134
Edition Description
Revised Edition,Expurgated Edition
Edition Number
2
Reviews
"As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike… Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." - Journal of Beckett Studies, "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." Journal of Beckett Studies, "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies, "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "As before, the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context." -- Journal of Beckett Studies, "... the book's principal value lies in Levy's penetrating observations about the ontology of the plays in performance, the reflexive, prism-like conundrums in them that fascinate and frustrate intelligent and attentive spectators and theater practitioners alike... Among the main virtues of this revised and enlarged edition is the addition of production anecdotes and performer-interviews that set Levy's critical ideas in newly illuminating practical context..." -- Journal of Beckett Studies. "An intelligent, often fascinating analysis of Beckett's work." -- Choice. "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -- S. E. Gontarski, Sarah Herndon Professor of English, Florida State University; Editor, Journal of Beckett Studies., "This current collection of essays is divided almost equally between theory and performance, but as often Shimon Levy treats the two as a single field as he explores the possibilities of chaos theory as a model for the theatrical experience, where 'even the tiniest detail may influence the presentation,' and moves on to explore the implications of Logical Positivism and Existentialism, all under the umbrella of the Cartesian Cogito. The essay on 'The Poetics of Offstage' is exemplary and should be required reading for theater directors." -S. E. Gontarski, Florida State University; Editor, Journal of Beckett Studies
Table of Content
Contents: Preface; Introduction: Self-Organisation in the Middle of Chaos; Philosophical Notions; The Message of the Medium -- Theatrical Techniques; The Poetics of Offstage; The Radioplays; "Spirit Made Light" -- Film and TV Plays; Godot -- Resolution or Revolution?; I's and Eyes: A Hermeneutical Circle; Epilogue: Six She's and other Not I Proxies; Index.
Copyright Date
2002
Topic
Drama, European / General, General
Lccn
2002-018781
Intended Audience
College Audience
Genre
Drama, Literary Criticism
Objectbeschrijving van de verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:234942753539
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Objectlocatie:
Portland, Oregon, Verenigde Staten
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