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Neon Vernacular: New and Selected Poems by Komunyakaa, Yusef
by Komunyakaa, Yusef | PB | Good
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eBay-objectnummer:195921884445
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 0819512117
- Book Title
- Neon Vernacular : New and Selected Poems
- Book Series
- Wesleyan Poetry Ser.
- Item Length
- 8.5 in
- Publisher
- Wesleyan University Press
- Publication Year
- 1993
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Genre
- Poetry, Social Science
- Topic
- General, Ethnic Studies / African American Studies
- Item Width
- 5.5 in
- Item Weight
- 10.4 Oz
- Number of Pages
- 188 Pages
Over dit product
Product Identifiers
Publisher
Wesleyan University Press
ISBN-10
0819512117
ISBN-13
9780819512116
eBay Product ID (ePID)
1021123
Product Key Features
Book Title
Neon Vernacular : New and Selected Poems
Format
Trade Paperback
Language
English
Topic
General, Ethnic Studies / African American Studies
Publication Year
1993
Book Series
Wesleyan Poetry Ser.
Genre
Poetry, Social Science
Number of Pages
188 Pages
Dimensions
Item Length
8.5 in
Item Height
0.6 in
Item Width
5.5 in
Item Weight
10.4 Oz
Additional Product Features
Intended Audience
Trade
Reviews
This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."--Marilyn Hacker, The Nation "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-- Library Journal "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-- Bloomsbury Review, Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human., "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."-Marilyn Hacker, The Nation, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-Library Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-- Bloomsbury Review "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"-- Library Journal "Quite simply, Komunyakaa is one of the most extraordinary poets writing todayHe takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."--Marilyn Hacker, The Nation, "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"-Bloomsbury Review, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"- Library Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing todayÉHe takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."ÑToi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today…He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human." -- Toi Derricotte, Kenyon Review, Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast, Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity., "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"ÑBloomsbury Review, "Yusef Komunyakaa is a poet whose work, over ten years and many books, continues to grow in complexity and beauty, Neon Vernacular includes some of the best Vietnam testimony, in verse or prose, that I've ever read. Komunyakaa's whole oeuvre explores and re/members the double consciousness at work in the construction of African-American male identity."ÑMarilyn Hacker, The Nation, "This collection is comprised of poems from seven of Komunyakaa's previous collections. A master at interweaving memory and history to shape his experiences into narratives, he enriches his poems with details . . . As an African American, he defines a culture with striking imagery that is often misunderstood by mainstream readers. Highly recommended"ÑLibrary Journal, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today...He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."--Toi Derricotte, Kenyon Review, "Komunyakaa's best poems are jazzy and improvisational, razor-sharp pieces that tell us more about our culture than any news broadcast"- Bloomsbury Review, "Quite simply, Komunyakaa is one of the most extraordinary poets writing today He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."-Toi Derricotte, Kenyon Review
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