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THE DOOBIE BROTHERS - What Were Once Vices Are Now Habits - Hybrid SACD

Objectstaat:
Nieuw
2 beschikbaar / 5 verkocht
Prijs:
US $37,95
OngeveerEUR 35,34
Verzendkosten:
Gratis Voordelige verzending. Details bekijkenvoor verzending
Bevindt zich in: Kaukauna, Wisconsin, Verenigde Staten
Levering:
Geschatte levering tussen ma, 24 jun en wo, 26 jun tot 43230
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eBay-objectnummer:195743863667
Laatst bijgewerkt op 22 apr 2024 18:06:27 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
Type
Album
Language
English
Case Type
Cardboard Sleeve
Style
Southern Rock
Case Condition
Mint (M)
Fidelity Level
High-Fidelity
Features
Hybrid SACD, Limited Edition, Digipak, Numbered, SACD, Sealed
Duration
Album
Country/Region of Manufacture
United States
Inlay Condition
Mint (M)
Edition
Limited Edition, Numbered Edition
UPC
0821797206068
Artist
Doobie Brothers, The Doobie Brothers
Format
Super Audio CD (SACD)
Release Year
2012
Record Label
Mobile Fidelity, MOFI
Release Title
What Were Once Vices Are NOW Habits
Genre
Rock

Over dit product

Product Identifiers

Record Label
Mobile Fidelity, MOFI
UPC
0821797206068
eBay Product ID (ePID)
12046058756

Product Key Features

Release Year
2012
Format
Super Audio CD (SACD)
Genre
Rock
Artist
Doobie Brothers, The Doobie Brothers
Release Title
What Were Once Vices Are NOW Habits

Dimensions

Item Height
0.27in
Item Weight
0.17lb.
Item Length
5.59in
Item Width
5.31in

Additional Product Features

Number of Tracks
12
Tracks
1.1 'Song to See You Through' (Johnston) - 4:06 1.2 'Spirit' (Johnston, Simpson) - 3:15 1.3 'Pursuit on 53rd St.' (Johnston) - 2:33 1.4 'Black Water' (Simmons) - 4:17 1.5 'Eyes of Silver' (Johnston) - 2:57 1.6 'Road Angel' (Hartman, Hossack, Johnston, Porter) - 4:49 1.7 'You Just Can't Stop It' (Simmons) - 3:28 1.8 'Tell Me What You Want (And I'll Give You What You Need)' (Simmons) - 3:53 1.9 'Down in the Track' (Johnston) - 4:15 1.10 'Another Park, Another Sunday' (Johnston) - 4:27 1.11 'Daughters of the Sea' (Simmons) - 4:29 1.12 'Flying Cloud' (Porter) - 2:00
Number of Discs
1
Notes
New Numbered Edition Mini-LP-Style Packaging. Doobie Brothers' Most Diverse Record Includes #1 Smash 'Black Water'. What could The Doobie Brothers possibly do to follow-up the excellent The Captain and Me? Plenty. They started by inviting the Memphis Horns to inject more soul into their trademark, Southern-styled boogie rock. Next, they secured the services of Steely Dan virtuoso Jeff 'Skunk' Baxter to supply guitar and pedal-steel parts. And for extra spice, the band recruitedArlo Guthrie to play autoharp. The results? What Were Once Vices Are Now Habits, the group's most diverse album to date. It's just one reason Mobile Fidelity is proud to include the 1974 effort in it's phenomenal Doobie Brothers catalog restoration series. Of course, no record is worth it's salt without sharp songwriting. Fret not. What Were Once Vices Are Now Habits overflows with one memorable tune after another. It's a true collective effort, with the material reflecting the musical strengths of each of the members. Picking up where the disbanded Creedence Clearwater Revival had left off, Tom Johnston contributes the rousing 'Pursuit on 53rd Street' and 'Down in the Track. ' Patrick Simmons' 'Black Water' advances swamp rock, and gave the band it's first Number One hit. The Doobies also mine the country-rock vein like nobody's business. 'Tell Me What You Want (And I'll Give You What You Need)' and 'Another Park, Another Sunday' cross roots rhythms with edgy melodies. And the instrumental 'Flying Cloud,' contributed by bassist Tiran Porter, finds the Doobies further expanding their sonic palette while remaining faithful to their loose, good-time themes. By every stretch, What Were Once Vices Are Now Habits defies easy categorization yet soars on amiable vibes designed to satisfy the listener. Having reached #4 on the Billboard Album charts, it's safe to say the public was indeed impressed. Our engineers had the same goals in mind when mastering this 70s rock classic from the original master tapes. And so The Doobie Brothers' dual-drum approach now resonates with a punchiness it never previously possessed. Johnson's high-pitched vocals no longer hit an artificial ceiling or lurk behind a veiled curtain. The Memphis Horns' brassy accents carry, and the all-important midrange sounds immediate, transparent, and dynamic.

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