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Tragedy in the Age of Oprah : Essays on Five Great Plays by Louis Fantasia...

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Heel goed
Afgelopen: 26 apr 2024 05:00:39 CEST
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eBay-objectnummer:186400224835

Specificaties

Objectstaat
Heel goed: Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat ...
ISBN
9780810885080
Publication Year
2012
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Tragedy in the Age of Oprah : Essays on Five Great Plays
Item Height
1.2in
Author
Louis Fantasia
Item Length
9.2in
Publisher
Scarecrow Press, Incorporated
Item Width
6.3in
Item Weight
22 Oz
Number of Pages
330 Pages

Over dit product

Product Information

In Tragedy in the Age of Oprah: Essays on Five Great Plays, Louis Fantasia provides a provocative examination of the relationship between popular culture and classical tragedy. Making a persuasive argument for the lessons tragedy has to offer today's audiences, Fantasia examines five enduring works of theatre: Euripides' Medea, William Shakespeare's King Lear, Jean Racine's Phèdre, Friedrich Schiller's Mary Stuart, and Eugene O'Neill's Long Day's Journey into Night. Fantasia discusses in detail each of these plays, framing them in a contemporary context that explores the suffering, responsibility, and identity that tragedy advocates.

Product Identifiers

Publisher
Scarecrow Press, Incorporated
ISBN-10
0810885085
ISBN-13
9780810885080
eBay Product ID (ePID)
143539499

Product Key Features

Author
Louis Fantasia
Publication Name
Tragedy in the Age of Oprah : Essays on Five Great Plays
Format
Hardcover
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
330 Pages

Dimensions

Item Length
9.2in
Item Height
1.2in
Item Width
6.3in
Item Weight
22 Oz

Additional Product Features

Lc Classification Number
Pn1992.8.R43f36 2013
Grade from
College Graduate Student
Reviews
Challenging the thesis that tragedy no longer speaks to the contemporary world, Fantasia (director, Shakespeare at the Huntington) studies five tragedies, demonstrating the reasons behind that thesis while arguing the flaws inherent in its claim. The five plays, embedded in provocative chapter titles, are "Medea Lives in Texas," "King Lear or Survivor?," "Prozac for Phdre," "Mary Stuart, Passion's Martyr," and "Long Day's Journey into Night: The Rise and Fall of the American Dream." Focusing on the human emotion of "shame," Fantasia notes in his introduction that "shame is anathema in the Age of Oprah," given the contemporary penchant to outsource blame, talk through humiliations, and seek all-too-readily-available forgiveness, no matter how grievous the transgression. Tragedy remains necessary today because it puts one in touch with "demonic" sources of shame, "that pure consciousness that is in direct contact with the very core of our being." That argument is not new but deserves Fantasia's reinforcement. He does service to the case by connecting these tragedies to hot spots of the contemporary imagination (e.g., Mary Stuart and Princess Diana) and demonstrating hunger for more than analyses by Dr. Phil. The play evaluations are solid, with the King Lear chapter benefiting well from Fantasia's theatrical background. Summing Up: Recommended., Challenging the thesis that tragedy no longer speaks to the contemporary world, Fantasia (director, Shakespeare at the Huntington) studies five tragedies, demonstrating the reasons behind that thesis while arguing the flaws inherent in its claim. The five plays, embedded in provocative chapter titles, are "Medea Lives in Texas," "King Lear or Survivor?," "Prozac for Phèdre," "Mary Stuart, Passion's Martyr," and "Long Day's Journey into Night: The Rise and Fall of the American Dream." Focusing on the human emotion of "shame," Fantasia notes in his introduction that "shame is anathema in the Age of Oprah," given the contemporary penchant to outsource blame, talk through humiliations, and seek all-too-readily-available forgiveness, no matter how grievous the transgression. Tragedy remains necessary today because it puts one in touch with "demonic" sources of shame, "that pure consciousness that is in direct contact with the very core of our being." That argument is not new but deserves Fantasia's reinforcement. He does service to the case by connecting these tragedies to hot spots of the contemporary imagination (e.g., Mary Stuart and Princess Diana) and demonstrating hunger for more than analyses by Dr. Phil. The play evaluations are solid, with the King Lear chapter benefiting well from Fantasia's theatrical background. Summing Up: Recommended.
Table of Content
Table of Contents Foreword Acknowledgments Introduction: Tragedy in the Age of Oprah Chapter 1: Medea Lives in Texas Chapter 2: King Lear or Survivor? Chapter 3: Prozac For Phèdre Chapter 4: Mary Stuart, Passion's Martyr Chapter 5: Long Day's Journey Into Night: The Rise and Fall of the American Dream Bibliography
Copyright Date
2013
Topic
Theater / General, Theater / History & Criticism, Popular Culture, Television / Genres / Reality, Game Shows & Talk Shows, Ancient & Classical
Lccn
2012-035702
Intended Audience
Scholarly & Professional
Genre
Drama, Social Science, Performing Arts

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