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Listening Through the Noise: The Aesthetics of Experimental Electronic Music
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Bevindt zich in: Rocky Mount, North Carolina, Verenigde Staten
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Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- “No highlighting or marking with tight binding. Not ex-library.”
- EAN
- 9780195387667
- ISBN
- 019538766X
- Subject
- Electronic Music
- Publication Year
- 2010
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Listening Through the Noise : the Aesthetics of Experimental Electronic Music
- Item Height
- 0.6in
- Item Length
- 6in
- Publisher
- Oxford University Press, Incorporated
- Item Width
- 9.1in
- Item Weight
- 11.2 Oz
- Number of Pages
- 216 Pages
Over dit product
Product Information
Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019538766x
ISBN-13
9780195387667
eBay Product ID (ePID)
6038273726
Product Key Features
Publication Name
Listening Through the Noise : the Aesthetics of Experimental Electronic Music
Format
Trade Paperback
Language
English
Publication Year
2010
Type
Textbook
Number of Pages
216 Pages
Dimensions
Item Length
6in
Item Height
0.6in
Item Width
9.1in
Item Weight
11.2 Oz
Additional Product Features
Lc Classification Number
Ml1380.D45 2010
Reviews
"A well-written, detailed, and though-provoking reflection on the nature of a wide variety of contemporary electronic experimental works/ genres, and the theories of perception and listening that connect them."-Richard Chartier, sound artist "Lucid and surprising, Listening Through the Noise deftly traverses the eclectic world of experimental electronic music. Demers engages central problems in the aesthetics of electronic sound: To refer or not to refer? To mean or be? To situate or dislocate? It will change the way you listen."-Brian Kane, Yale University "Creates a desire to re-examine a wide variety of music, both old and new, with fresh set of ideas and an expanded concept of their forms and foundations. Argumentation and analytic debates get pushed far awar in favor of doing what musical aesthetics arguably does best: creating informed and appreciative listeners."--Philosophy in Review "As a level-headed introduction to this difficult topic, this book is hard to beat." --3 Quarks Daily, "A well-written, detailed, and though-provoking reflection on the nature of a wide variety of contemporary electronic experimental works/ genres, and the theories of perception and listening that connect them."-Richard Chartier, sound artist"Lucid and surprising, Listening Through the Noise deftly traverses the eclectic world of experimental electronic music. Demers engages central problems in the aesthetics of electronic sound: To refer or not to refer? To mean or be? To situate or dislocate? It will change the way you listen."-Brian Kane, Yale University"Creates a desire to re-examine a wide variety of music, both old and new, with fresh set of ideas and an expanded concept of their forms and foundations. Argumentation and analytic debates get pushed far awar in favor of doing what musical aesthetics arguably does best: creating informed and appreciative listeners."--Philosophy in Review"As a level-headed introduction to this difficult topic, this book is hard to beat." --3 Quarks Daily, a thought-provoking and significant contribution to our understanding of the aesthetics of electronic music., "A well-written, detailed, and though-provoking reflection on the nature of a wide variety of contemporary electronic experimental works/ genres, and the theories of perception and listening that connect them."-Richard Chartier, sound artist "Lucid and surprising,Listening Through the Noisedeftly traverses the eclectic world of experimental electronic music. Demers engages central problems in the aesthetics of electronic sound: To refer or not to refer? To mean or be? To situate or dislocate? It will change the way you listen."-Brian Kane, Yale University, "A well-written, detailed, and though-provoking reflection on the nature of a wide variety of contemporary electronic experimental works/ genres, and the theories of perception and listening that connect them."-Richard Chartier, sound artist "Lucid and surprising, Listening Through the Noise deftly traverses the eclectic world of experimental electronic music. Demers engages central problems in the aesthetics of electronic sound: To refer or not to refer? To mean or be? To situate or dislocate? It will change the way you listen."-Brian Kane, Yale University, "A well-written, detailed, and though-provoking reflection on the nature of a wide variety of contemporary electronic experimental works/ genres, and the theories of perception and listening that connect them."-Richard Chartier, sound artist "Lucid and surprising,Listening Through the Noisedeftly traverses the eclectic world of experimental electronic music. Demers engages central problems in the aesthetics of electronic sound: To refer or not to refer? To mean or be? To situate or dislocate? It will change the way you listen."-Brian Kane, Yale University "Creates a desire to re-examine a wide variety of music, both old and new, with fresh set of ideas and an expanded concept of their forms and foundations. Argumentation and analytic debates get pushed far awar in favor of doing what musical aesthetics arguably does best: creating informed and appreciative listeners."--Philosophy in Review
Table of Content
AcknowledgementsIntroductionPart One: Sign1. Listening to Signs in Post-Schaefferian Electroacoustic mu2. Material As Sign In ElectronicaPart Two: Object3. Minimal Objects In Microsound4. Maximal Objects in Drone Music, Dub Techno, and NoisePart Three: Situation5. Site in Ambient, Soundscape, and Field Recordings6. Genre, Experimentalism, and the Musical FrameConclusionNotesGlossaryBibliographyDiscography
Copyright Date
2010
Topic
History & Criticism, Philosophy & Social Aspects, General, Genres & Styles / Electronic
Lccn
2009-036518
Intended Audience
Scholarly & Professional
Genre
Technology & Engineering, Music
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