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Cox, Virginia. Women's Writing in Italy, 1400-1650

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Specificaties

Objectstaat
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
Opmerkingen van verkoper
“Hardcover in dj Very Good/Very Good Unused”
Country/Region of Manufacture
Italy
Subject
History
Subject Area
Women's Studies
Level
Intermediate
Educational Level
Adult & Further Education
ISBN
9780801888199
Item Length
9.2in
Publisher
Johns Hopkins University Press
Publication Year
2008
Type
Textbook
Format
Hardcover
Language
English
Item Height
1.3in
Author
Virginia Cox
Genre
Literary Criticism, History, Social Science
Topic
Women Authors, Europe / Italy, Women's Studies, European / Italian
Item Width
6.1in
Item Weight
28.9 Oz
Number of Pages
496 Pages

Over dit product

Product Information

Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women's writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women's writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.

Product Identifiers

Publisher
Johns Hopkins University Press
ISBN-10
0801888190
ISBN-13
9780801888199
eBay Product ID (ePID)
64177563

Product Key Features

Author
Virginia Cox
Format
Hardcover
Language
English
Topic
Women Authors, Europe / Italy, Women's Studies, European / Italian
Publication Year
2008
Type
Textbook
Genre
Literary Criticism, History, Social Science
Number of Pages
496 Pages

Dimensions

Item Length
9.2in
Item Height
1.3in
Item Width
6.1in
Item Weight
28.9 Oz

Additional Product Features

Lc Classification Number
Pq4063.C69
Grade from
College Graduate Student
Reviews
Exhaustive and insightful... This is an amazing book, a major achievement in the field of women's studies., "Exhaustive and insightful... This is an amazing book, a major achievement in the field of women's studies." -- Elissa Weaver, Renaissance Quarterly, Virginia Cox has written a magisterial study of the major trends in women's writing in Renaissance and Counter-Reformation Italy... This is indeed an impressive volume and one which deserves to be read and studied. It will change the way we think about women's writing in early modern Italy., "Virginia Cox has written a magisterial study of the major trends in women's writing in Renaissance and Counter -- Reformation Italy... This is indeed an impressive volume and one which deserves to be read and studied. It will change the way we think about women's writing in early modern Italy." -- Stephen Kolsky, Modern Language Review
Publication Name
Women's Writing in Italy, 1400-1650
Table of Content
AcknowledgmentsIntroductionChapter One: Origins (1400-1500)1. The ""Learned Lady"" in Quattrocento Italy: An Emerging Cultural Type2. The ""Learned Lady"" in Theory: Models of Gender Conduct and Their Contexts3. The ""Learned Lady"" as Signifier in Humanistic Culture4. Renaissance Particularism and the ""Learned Lady""Chapter Two: Translation (1490-1550)1. Women, the Courts, and the Vernacular in the Early Sixteenth Century2. Sappho Surfaces: The First Female Vernacular Poets3. Bembo, Petrarchism, and the Reform of Italian Literature4. ""So Dear to Apollo"": Veronica Gambara and Vittoria Colonna after 15305. Founding Mothers, First Ladies: Gambara and Colonna as Models and IconsChapter 3: Diffusion (1540- 1560)1. Manuscript and Print in the ""Age of the Council of Trent""2. Virt+¦ Rewarded: The Contexts of Women's Writing3. Women Writers and Their Uses: Case Studies4. Literary Trajectories: Continuity and Change5. Women Writers and the Paradox of the PedestalChapter Four: Intermezzo (1560-1580)Chapter Five: Affirmation (1580-1620)1. Women's Writing in the Age of the Counter-Reformation2. Chivalry Undimmed: The Contexts of Women's Writing3. A Literature of Their Own? Writing, Ownership, Assertion4. The Twilight of GallantryChapter 6: Backlash (1590-1650)1. The Rebirth of Misogyny in Seicento Italy2. Misogyny and the Woman Writer: The Redomestication of Female Virt+¦3. Women's Writing in Seicento Italy: Decline and FallCodaAppendix A: Published Writings by Italian Women, Fifteenth to Seventeenth CenturiesAppendix B: Dedications of Published Works by WomenNotesBibliographyIndex, Acknowledgments Introduction Chapter One: Origins (1400-1500) 1. The "Learned Lady" in Quattrocento Italy: An Emerging Cultural Type 2. The "Learned Lady" in Theory: Models of Gender Conduct and Their Contexts 3. The "Learned Lady" as Signifier in Humanistic Culture 4. Renaissance Particularism and the "Learned Lady" Chapter Two: Translation (1490-1550) 1. Women, the Courts, and the Vernacular in the Early Sixteenth Century 2. Sappho Surfaces: The First Female Vernacular Poets 3. Bembo, Petrarchism, and the Reform of Italian Literature 4. "So Dear to Apollo": Veronica Gambara and Vittoria Colonna after 1530 5. Founding Mothers, First Ladies: Gambara and Colonna as Models and Icons Chapter 3: Diffusion (1540- 1560) 1. Manuscript and Print in the "Age of the Council of Trent" 2. Virtù Rewarded: The Contexts of Women's Writing 3. Women Writers and Their Uses: Case Studies 4. Literary Trajectories: Continuity and Change 5. Women Writers and the Paradox of the Pedestal Chapter Four: Intermezzo (1560-1580) Chapter Five: Affirmation (1580-1620) 1. Women's Writing in the Age of the Counter-Reformation 2. Chivalry Undimmed: The Contexts of Women's Writing 3. A Literature of Their Own? Writing, Ownership, Assertion 4. The Twilight of Gallantry Chapter 6: Backlash (1590-1650) 1. The Rebirth of Misogyny in Seicento Italy 2. Misogyny and the Woman Writer: The Redomestication of Female Virtù 3. Women's Writing in Seicento Italy: Decline and Fall Coda Appendix A: Published Writings by Italian Women, Fifteenth to Seventeenth Centuries Appendix B: Dedications of Published Works by Women Notes Bibliography Index
Copyright Date
2008
Lccn
2007-036098
Dewey Decimal
850.9/9287
Intended Audience
Scholarly & Professional
Dewey Edition
22

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