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Publick Musick - Cantatas BMV 45 62 140 192 [New CD]
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Bevindt zich in: Shepherdsville, Kentucky, Verenigde Staten
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eBay-objectnummer:145638725620
Specificaties
- Objectstaat
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- Cantatas BMV 45 62 140 192
- Album Name
- Cantatas BMV 45 62 140 192
- Type
- Album
- Brand
- Musica Omnia
- UPC
- 0801890020426
- Artist
- Bach, J.S. / Folan / Publick Musick
- Format
- CD
- Release Year
- 2007
- Record Label
- Musica Omnia, Muom
- Release Title
- Cantatas Bmv 45 62 140 192
- Genre
- Classical Composers
Over dit product
Product Identifiers
Record Label
Musica Omnia, Muom
UPC
0801890020426
eBay Product ID (ePID)
13046050145
Product Key Features
Format
CD
Release Year
2007
Genre
Classical Composers
Artist
Bach, J.S. / Folan / Publick Musick
Release Title
Cantatas Bmv 45 62 140 192
Dimensions
Item Height
0.40 in
Item Weight
0.24 lb
Item Length
5.45 in
Item Width
5.06 in
Additional Product Features
Number of Tracks
23
Number of Discs
1
Tracks
1.1 Choral: Nun Komm, Der Heiden Heiland 1.2 Aria (Tenor): Bewundert, O Menschen 1.3 Recit. (Bass): So Geht Aus Gottes Herrlichkeit 1.4 Aria (Bass): Streite, Siege, Starker Held! 1.5 Recit. (Sop/Alto): Wir Ehren Diese Herrlichkeit 1.6 Choral: Lob Sei Gott, Dem Vater Ton 1.7 Chorus: Es Ist Dir Gesagt, Mensch, Was Gut Ist 1.8 Recit. (Tenor): Der Hoechste Laesst Mich Seinen Willen 1.9 Aria (Tenor): Weiss Ich Gottes Rechte 1.10 Arioso (Bass): Es Werden Viele Zu Mir Sagen 1.11 Aria (Alto): Wer Gott Bekennt 1.12 Recit (Alto): So Wird Denn Herz Und Mund Selbst 1.13 Choral: Gib, Dass Ich Tu Mit Fleiss 1.14 Choral: Nun Danket Alle Gott 1.15 Duet (Sop/Bass): Der Ewig Reiche Gott 1.16 Choral: Lobet, Ehr Und Preis Sei Gott 1.17 Choral: Wachet Auf, Ruft Uns Die Stimme 1.18 Recit (Tenor): Er Kommt, Er Kommt, Der Braeutgam Kommt! 1.19 Duet (Sop/Bass): Wann Kommst Du, Mein Heil? 1.20 Choral: Zion Hoert Die Waechter Singen 1.21 Recit (Bass): So Geh Herein Zu Mir 1.22 Duet (Sop/Bass): Mein Freund Ist Mein 1.23 Choral: Gloria Sei Dir Gesungen
Notes
Johann Sebastian Bach: Cantatas BWV 62, 45, 192 & 140 The four cantatas assembled on this CD are among Bach's finest creations from the years 1723-1731, the period when he was concerned with providing a "well-regulated church music" for his employers in Leipzig. Two of them: BWV 62, Nun komm der Heiden Heiland, from 1724; and BWV 140, Wachet auf, ruft uns die Stimme, from 1731, are closely associated with the Advent season and it's message of promise in the coming of the Saviour. BWV 45, Es is dir Gesagt, Mensch, was gut ist, for the 8th Sunday after Trinity is an extended two-part cantata, which features (in the arioso for bass that begins part 2, to be presented after the sermon) the words of Christ himself, exhorting the faithful to follow the Divine Law, while the text generally warns against "false prophets." BWV 192, Nun danket alle Gott, is a general hymn of praise (with the three verses of the original hymn from the middle of the 1600s presented unaltered and without any addition), perhaps composed for a wedding (the gigue-like finale, which reflects the atmosphere of a wedding feast, underlines this probability). Bach's cantata has been handed down in a secondary source in incomplete form and consists of three numbers directly based on the hymn of the same title. The tenor vocal part is also missing, and has been re-constructed by the editors of the Neue Bach-Ausgabe, the edition that has been used for this recording. Nun komm der Heiden Heiland, BWV 62 (Cantata for the 1st Sunday in Advent) This cantata, the second of two works based on Luther's hymn (the other is BWV 61, composed ten years earlier), was composed in 1724 for the first Sunday in Advent. It is based entirely on Martin Luther's hymn of 1524, which is itself modelled on the Latin text, Veni redemptor gentium. Luther's original eight verses are distributed amongst the six sections found in Bach's cantata. The first and last appear literally in the first chorus and the final chorale, while verses 2 and 3 are freely adapted by Bach into the text of the first aria. Luther's verses 4 and 5 are combined into the following bass recitative, while verses 6 and 7 become the bass aria and following recitative for the two upper voices. Bach's opening chorale/chorus is a brilliant combination of Italianate concertante virtuosity and the Lutheran sobriety lent by the austere cantus firmus of the chorale melody, stated by the sopranos, and reinforced by the horn. The instruments are likewise distributed into opposing concertante groups: oboes against strings, while the lower choral voices frequently provide vorspinnung imitation of the main choral melody in diminished note values. The unearthly effect of the whole is underlined by the statement of the chorale melody in the bass instruments in octaves at the end of the opening and subsequent ritornelli. This highly impressive movement is succeeded by a joyful (and difficult) aria in G major for tenor accompanied by strings, which exhorts the people to wonder at the "great mystery" of the unblemished (chaste) appearance of the Ruler of the world. The bass then sings a secco recitative (using as it's text Luther's verses 4 and 5) introducing the Hero of Judah as He who will redeem us "fallen ones". The following highly original da capo aria, with it's unison string accompaniment (upper strings doubling the continuo in octaves, with fully figured bass provided by the organ) - a rare device for Bach, emphasising strength, unity and underlining it's "heroic" character, asks the Saviour to fight for us and reinforce our inner strength. Gratitude is then expressed by the soprano and alto together in an accompanied recitative that recalls the warm and sunny character of the first aria, before Luther's final verse is rendered by Bach with a concise, straightforward four-part setting of the original choral melody. Es ist gesagt, Mensch, was gut ist, BWV 45 (Cantata for the 8th Sunday after Trinity) The 8th Sunday after
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