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Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Cen tury...
by Buch, David J. | HC | Good
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Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Binding
- Hardcover
- Weight
- 2 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780226078090
- Publication Year
- 2008
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Magic Flutes and Enchanted Forests : the Supernatural in Eighteenth-Century Musical Theater
- Item Height
- 1.3in
- Item Length
- 10.2in
- Publisher
- University of Chicago Press
- Item Width
- 7.2in
- Item Weight
- 37.2 Oz
- Number of Pages
- 480 Pages
Over dit product
Product Information
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite--and perhaps even because of--their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart's The Magic Flute and Don Giovanni , building a new foundation for our understanding of the magical themes that proliferated in Mozart's wake.
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226078094
ISBN-13
9780226078090
eBay Product ID (ePID)
65919699
Product Key Features
Publication Name
Magic Flutes and Enchanted Forests : the Supernatural in Eighteenth-Century Musical Theater
Format
Hardcover
Language
English
Publication Year
2008
Type
Textbook
Number of Pages
480 Pages
Dimensions
Item Length
10.2in
Item Height
1.3in
Item Width
7.2in
Item Weight
37.2 Oz
Additional Product Features
Lc Classification Number
Ml1720.3.B83 2008
Reviews
Magic Flutes and Enchanted Forests documents, with more inclusivity and comprehensiveness than any other study I know of, the pervasiveness of the supernatural in eighteenth-century musical theater. Few musicologists can be compared with David Buch in scholarly audacity and energy, and his important contributions in this impressive book will be of great use to historians of both music and theater., "[Buch strives] to refute what he feels are the most common false assumptions about eighteenth-century opera, effectively arguing against those who have maintained that works with magical themes . . . are inherently less important than serious compositions. . . . His most valuable contribution, however, is undoubtedly the detailed and comprehensive discussion of the origins of the fantastic in eighteenth-century operas and stage works."-Donald R. Boomgaarden, Opera Today, I know of no previous study that can be compared withMagic Flutes and Enchanted Forests, yet its topic is an important one that, one now realizes, was waiting for the suitable author to tackle it. David Buch is very well qualified to be that author. This is a very ambitious, wide-ranging, and impressive book., This book brings to the fore, for the first time, a significant aspect of eighteenth-century opera, providing a new means of understanding elements of the marvelous, the supernatural, and the magical that operate across genres and national boundaries. The reach of David Buch's investigation-over such a broad time span and including such vast repertories-is outstanding. Magic Flutes and Enchanted Forests is an astonishing achievement., "This book brings to the fore, for the first time, a significant aspect of eighteenth-century opera, providing a new means of understanding elements of the marvelous, the supernatural, and the magical that operate across genres and national boundaries. The reach of David Buch's investigation-over such a broad time span and including such vast repertories-is outstanding. Magic Flutes and Enchanted Forests is an astonishing achievement."-Marita Petzoldt McClymonds, University of Virginia, 2009 Choice Outstanding Academic Title "The number of sources Buch . . . inventoried and studied leaves one breathless. But sheer breadth, daunting as it may be, is only one factor in the stunning success of this endeavour. . . . An excellent resource for all students of 18-century opera or theater.", 2009 Choice Outstanding Academic Title "The number of sources Buch . . . inventoried and studied leaves one breathless. But sheer breadth, daunting as it may be, is only one factor in the stunning success of this endeavour. . . . An excellent resource for all students of 18-century opera or theater.", While numerous theatrical works include the supernatural . . . there have been surprisingly few musical studies devoted to the topic. . . . Buch''s is an essential and groundbreaking study., While numerous theatrical works include the supernatural . . . there have been surprisingly few musical studies devoted to the topic. . . . Buch's is an essential and groundbreaking study., "While numerous theatrical works include the supernatural . . . there have been surprisingly few musical studies devoted to the topic. . . . Buch''s is an essential and groundbreaking study."- Times Higher Education Supplement, [Buch strives] to refute what he feels are the most common false assumptions about eighteenth-century opera, effectively arguing against those who have maintained that works with magical themes . . . are inherently less important than serious compositions. . . . His most valuable contribution, however, is undoubtedly the detailed and comprehensive discussion of the origins of the fantastic in eighteenth-century operas and stage works., Magic Flutes andEnchantedForestsdocuments, with more inclusivity and comprehensiveness than any other study I know of, the pervasiveness of the supernatural in eighteenth-century musical theater. Few musicologists can be compared with David Buch in scholarly audacity and energy, and his important contributions in this impressive book will be of great use to historians of both music and theater., "This book brings to the fore, for the first time, a significant aspect of eighteenth-century opera, providing a new means of understanding elements of the marvelous, the supernatural, and the magical that operate across genres and national boundaries. The reach of David Buch's investigationover such a broad time span and including such vast repertoriesis outstanding.Magic Flutes and Enchanted Forestsis an astonishing achievement."Marita Petzoldt McClymonds, University of Virginia, This book brings to the fore, for the first time, a significant aspect of eighteenth-century opera, providing a new means of understanding elements of the marvelous, the supernatural, and the magical that operate across genres and national boundaries. The reach of David Buch's investigation--over such a broad time span and including such vast repertories--is outstanding. Magic Flutes and Enchanted Forests is an astonishing achievement., 2009ChoiceOutstanding Academic Title "The number of sources Bych , , , inventoried and studied leaves one breathless. But sheer breadth, daunting as it may be, is only one factor in the stunning success of this endeavour. . . . An excellent resources for all students of 18-century opera or theater.", I know of no previous study that can be compared with Magic Flutes and Enchanted Forests , yet its topic is an important one that, one now realizes, was waiting for the suitable author to tackle it. David Buch is very well qualified to be that author. This is a very ambitious, wide-ranging, and impressive book., 2009 Choice Outstanding Academic Title "The number of sources Bych , , , inventoried and studied leaves one breathless. But sheer breadth, daunting as it may be, is only one factor in the stunning success of this endeavour. . . . An excellent resources for all students of 18-century opera or theater."
Table of Content
Contents List of Illustrations Preface Abbreviations Introduction Precedents & Sources of Magic & the "Marvelous" 1 L'Académie Royale de Musique 2 Opéra-comique 3 Italian Serious Genres 4 Italian Comic Genres 5 German Musical Theater 6 The Supernatural in the Operas of Mozart Postscript The Significance & Influence of Supernatural Topics Appendix A: Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699-1791 Appendix B: Selected Italian Circe, Medea & Orpheus Operas, 1700-1791 Appendix C: Operas Based on Ariosto & Tasso, 1700-1791 Appendix D: Some Eighteenth-Century Italian Don Juan Settings Appendix E: Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728-92 Bibliography Index
Copyright Date
2008
Target Audience
Scholarly & Professional
Topic
Theater / Broadway & Musicals, History & Criticism, Genres & Styles / Classical, Theater / History & Criticism, Europe / General
Lccn
2008-010681
Dewey Decimal
782.109/033
Dewey Edition
22
Illustrated
Yes
Genre
Music, History, Performing Arts
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