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Displays of Power (with a New Afterword): Controversy in the American Museum...
by Dubin, Steven C. | PB | Good
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“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... Meer lezenover objectstaat
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Bevindt zich in: Aurora, Illinois, Verenigde Staten
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eBay-objectnummer:145444146166
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780814718902
- Publication Year
- 2001
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Displays of Power (with a New Afterword) : Controversy in the American Museum from the Enola Gay to Sensation!
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- New York University Press
- Item Width
- 6in
- Item Weight
- 16.8 Oz
- Number of Pages
- 288 Pages
Over dit product
Product Information
In the past, museum exhibitions in the USA glorified wealth and validated authority, but today they often represent new interests, and pressure groups mobilize either to force their own perspective upon museum walls or to prevent opposing opinions from being expressed. Examining some of the USA's most controversial museum exhibitions of the 1990s, this work encompasses topics such as ethnicity, slavery, Freud, the Old West, and the atomic bomb. Some of these exhibitions challenged standard perceptions, whilst others were faulted for failing to do so. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
Product Identifiers
Publisher
New York University Press
ISBN-10
0814718906
ISBN-13
9780814718902
eBay Product ID (ePID)
1729820
Product Key Features
Publication Name
Displays of Power (with a New Afterword) : Controversy in the American Museum from the Enola Gay to Sensation!
Format
Trade Paperback
Language
English
Publication Year
2001
Type
Textbook
Number of Pages
288 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
16.8 Oz
Additional Product Features
Lc Classification Number
Am151
Reviews
"A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." -Museum News, Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily., A lively and insightful new book. ... Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. ... Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences., "Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions." - Art in America ,, "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. ... His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. ... Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly ,, Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. ... Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. ... A cautionary tale told boisterously and wittily., "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum, "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." -Artforum, "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum ,, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News, "A signal contribution to The 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for The control of expression where elitist and populist camps clash over politically sensitive art. . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world."Publishers Weekly"A lively and insightful new book. . . Using an even-handed journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences."Artforum"Displays of Poweris contentious, irreverent, and entertaining, but it is also absolutely serious. . . Is the book useful or intimidating? is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . A cautionary tale told boisterously and wittily."Museum News"Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions."Art in America, "Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions." -Art in America, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. ... Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. ... A cautionary tale told boisterously and wittily." - Museum News ,, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News, "Displays of Power is contentious, irreverent, and entertaining, but it is also absolutely serious. . . . Is the book useful or intimidating? Is it a cautionary tale or a diatribe against museum complacency? I believe that it is all of these things. . . . A cautionary tale told boisterously and wittily." - Museum News ,, "Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions." - Art in America, "The essays in Groundwork assert individually and collectively that at the root of any national movement for change are local activists working from the bottom up to change their communities first, then the world. This excellent and invigorating collection is crucial reading in an election year." - Henry Louis Gates, Jr., Director, W. E. B. Du Bois Institute for African and African American Research, and author of America Behind the Color Line: Dialogues with African Americans, Reveals how demands for accountability to various interest groups frequently lead to censorship [and] a retreat from shows that deal with complex social questions., "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly ,, "Brilliantly conveys the vibrancy and creativity of community-based movements that transformed America's racial and civic landscape in the decades following World War II." - Patricia Sullivan, author of Freedom Writer: Virginia Foster Durr, Letters from the Civil Rights Years, A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. ... His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. ... Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world., "A signal contribution to the 'culture wars,' Dubin dispassionately examines the contemporary American museum as a battleground for the control of expression where elitist and populist camps clash over politically sensitive art. . . . His provocative study gives voice to curators and partisans on all points of the spectrum, making his book something of a lively free-for-all. . . . Cogently demonstrates that modern museums are crucibles for change rather than pleasant refuges, and that they are expanding the public's awareness that we live in an increasingly multicultural society and a multinational world." - Publishers Weekly, "A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum, "The thirteen essays in this important collection examine grass-roots struggles for racial justice throughout the United States from 1940-1980...Read together, these essays remind us that activism changes people as much as society." - Journal of American History, A lively and insightful new book. . . . Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. . . . Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences., "A lively and insightful new book. ... Using an evenhanded journalistic approach and remarkably revealing interviews, Dubin documents how the institutions, run by idealistic and politically naive curators and exploited by conservative opponents, were marred by allowing minor conflicts to blow up into front-page stories. ... Show[s] that while museum may be adept at producing spectacular displays of propaganda, they are often incapable of predicting the reactions of their audiences." - Artforum ,
Copyright Date
2001
Topic
Museums, Tours, Points of Interest, Collections, Catalogs, Exhibitions / General, General
Dewey Decimal
069.50973
Intended Audience
Scholarly & Professional
Dewey Edition
22
Illustrated
Yes
Genre
Travel, Art, Architecture
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