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VIDEO-AVENTURES - CAMERA (IN FOCUS) CAMERA (AL RIPARO) NEW VINYL

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Nieuw
8 beschikbaar
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US $34,22
OngeveerEUR 32,00
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Bevindt zich in: North Carolina, Verenigde Staten
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eBay-objectnummer:142391988061
Laatst bijgewerkt op 27 apr 2024 07:46:22 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
UPC
0769791959644
Artist
Video-Aventures
Format
Record
Record Label
Megaphone, Mgap
Release Year
2016
Release Title
Camera (in Focus) Camera (Al Riparo)
Genre
Electronic

Over dit product

Product Identifiers

Record Label
Megaphone, Mgap
UPC
0769791959644
eBay Product ID (ePID)
13046061075

Product Key Features

Artist
Video-Aventures
Format
Record
Release Year
2016
Release Title
Camera (in Focus) Camera (Al Riparo)
Genre
Electronic

Dimensions

Item Length
12.51in
Item Height
0.35in
Item Width
12.32in
Item Weight
0.86lb.

Additional Product Features

Number of Discs
1
Notes
160-gram LP. Gatefold sleeve with new artwork. The elusive allure of Video-Aventures is challenging to capture, and Megaphone/Knock'em Dead's reissue of their second LP, Camera (In Focus) Camera (Al Riparo) (1984, Tago Mago, France), reveals an album with a conviction in paradox that serves only to magnify their mystery. Plunging feverishly where their debut (Musique pour Garcons et Filles, 1979, Recommended Records) traipsed and alighted with informed whimsy, Camera (In Focus) Camera (Al Riparo) retains the duo of Dominique Grimaud and Monique Alba, abetted strikingly (and, often, surprisingly) by Jac Berrocal, Guigou Chenevier (Etron Fou Leloublan), Sophie Jausserand, Gilbert Artman (Lard Free, Catalogue, Urban Sax), Cyril Lefebvre, and Daniel Deshays. The result is a tour de force in several significant respects. Camera (In Focus) Camera (Al Riparo) is not obviously similar to it's beguiling predecessor - indeed, there are moments in which it calls for the listener's intrepidity and insight - but it is at least as captivating. Venturing further from traditional instrumentation, Video-Aventures employ elements of musique concrete, disjointed and enfeebled speech, accelerated percussion, and synthesized physical function (pulse, breathing, etc.). The chronicle of a singular process from a single perspective, it narrates the deterioration of a mind in the aftermath of duress. That mind is the narrator, but only from a sensory standpoint, as if the listener were seated inside the narrator's skull. What the listener hears is what the subject hears - complete with pounding heartbeat, gasping breath, blood rushing through the head - amounting to a devastating treatise against ends justifying means. Regardless of interpretation, Camera (In Focus) Camera (Al Riparo) succeeds on it's own extensive musical merits. This record is borne of the dissonant, microscopic interim between impulse and accordant action. The change that occurs within that tiny lag is seldom heralded, but on Camera (In Focus) Camera (Al Riparo), Video-Aventures inhabits it, isolating the transformation/mutation that crystallizes in flashes both smaller than fully formed thoughts and containing the universe of perception. Within each track, Video-Aventures present an evolution, but not a hierarchical one - in the specificity of their arrangements, they convey an instability that is unnervingly true to the variability and unpredictability of memory. This quality, which had punctuated their debut album, becomes here a harrowing pillar that unites every track within a claustrophobic continuum of emotions. The result is an opus that contains seamless and varied musical brilliance, conceptual continuity, and indomitably humane integrity.
Tracks
1.1 A1. Venus 1.2 A2. Surfin' in Arromanches 1.3 A3. Une Aventure de Marco Polo 1.4 A4. Expedition Au Pole 1.5 A5. Sequences 1.6 B1. Harry Darling 1.7 B2. 1 MN 45 Au Ponukele 1.8 B3. Respiration #1 1.9 B4. Crazy Elevator 1.10 B5. Respiration #2 1.11 B6. Sur la Passion Du Bienheureux Martyr Larent
Number of Tracks
11

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