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Giuliana Bruno Surface (Paperback) (UK IMPORT)
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eBay-objectnummer:135021975308
Specificaties
- Objectstaat
- Book Title
- Surface
- Title
- Surface
- EAN
- 9780226434636
- ISBN
- 9780226434636
- Release Date
- 12/20/2016
- Release Year
- 2016
- Subtitle
- Matters of Aesthetics, Materiality, and Media
- Country/Region of Manufacture
- US
- Genre
- Arts & Photography
- Subject
- Society & Culture
- Publication Year
- 2016
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Surface : Matters of Aesthetics, Materiality, and Media
- Item Height
- 0.6in
- Item Length
- 9.7in
- Publisher
- University of Chicago Press
- Item Width
- 9in
- Item Weight
- 35.4 Oz
- Number of Pages
- 288 Pages
Over dit product
Product Information
This innovative book is concerned with the material reality of media in this virtual age. The book explores how visual objects appear on the surface of different media-on movie or television or computer screens, for example, or on the "skin" or "clothing" of buildings and people. It insists that the object of visual studies goes well beyond the image. The matter of Bruno's concern is not simply visual but, as she puts it, "tangible and material, spatial and environmental. I have long argued for a shift in our focus away from the optic and toward a haptic materiality. The reciprocal con tact between us and objects or environments indeed occurs on the surface. It is by way of such tangible, 'superficial' contact that we apprehend the art object and the space of art."
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
022643463x
ISBN-13
9780226434636
eBay Product ID (ePID)
24038286036
Product Key Features
Publication Name
Surface : Matters of Aesthetics, Materiality, and Media
Format
Trade Paperback
Language
English
Publication Year
2016
Type
Textbook
Number of Pages
288 Pages
Dimensions
Item Length
9.7in
Item Height
0.6in
Item Width
9in
Item Weight
35.4 Oz
Additional Product Features
Lc Classification Number
Bh39.B794 2016
Reviews
Weaving together intricate material relations between art and architecture, film and fashion, design and new media rendered within contemporary visual culture, Bruno constructs a surface equally adept at providing space for leaping from or, for that matter, diving deeper within., Material ways of understanding visual culture through synesthetic embodiment, the modalities of movement that relate to philosophical ways of elaborating spectatorship, and the sort of post-phenomenological vocabulary that was visible in how for example some of Gilles Deleuze's philosophy entered academic debates in the 1990s. In Atlas of Emotion , this is visible in notions such as texturology that also reappears and becomes more central years later in Bruno's later book Surface . Textures--including architextures --are part of both the artistic materiality of collections, museums, maps, but also fashion/textiles where cinema finds itself articulated before and after its 'birth.', Screen theory--the use of screens specifically in technology-rich applications such as personal computing--has been the primary domain of new media scholars. Bruno extends and enriches the discourse by both carefully considering the material qualities of digital manifestations of the screen and integrating discussion of nondigital equivalents., Beautiful and complex. . . . The readings in the book become a way of revealing hidden relationships between different forms of media, relationships that currently shift and that negotiate the question of the dividing line between work, world and viewer in ways that prompt us to re-consider the nature of those very divisions. . . . Hugely impressive., The resulting argument is a tour de force of aesthetic interpretation that is honed to a distinctly theoretical end . . . Simply by compelling us to contemplate what we would want from an aesthetic materialism worthy of the name--and doing so by mounting a virtuosic performance of her own deeply aesthetic response to that problem--Bruno has done a tremendous amount to reframe the matter of materialism today., This is a unique book, in both form and content. Ranging from essay to diary to the epistolary, and from the work of Wong Kar-Wai to Walead Beshty, architects Herzog & de Meuron, Sally Potter, and Issey Miyake, Bruno traces a cultural about-face regarding our tendency to denigrate surfaces as superficial. Surfaces here are instead meeting-places, zones of encounter and admixture--the precise site that painting, cinema, architecture, fashion, or even the body all share, and where increasingly today they are transformed., Bruno's latest book is that rarest of gems: a patient and profound intellectual engagement, sweeping in scope, which is nonetheless a pleasure to read. . . . Give[s] us a critical vocabulary for engaging with the growing conflation of screen practices and screen architectures., In this finely crafted and evocative book, Bruno weaves a deep archaeology of the screen. Architecture, art, fashion, film, and philosophy find themselves embedded in the folds of a single sensuous fabric. Vision itself becomes tactile, and we begin to grasp the digital., Screen theory-the use of screens specifically in technology-rich applications such as personal computing-has been the primary domain of new media scholars. Bruno extends and enriches the discourse by both carefully considering the material qualities of digital manifestations of the screen and integrating discussion of nondigital equivalents.
Table of Content
Acknowledgments Introduction Fabrics of the Visual 1 A Matter of Fabric: Pleats of Matter, Folds of the Soul 2 Surface, Texture, Weave: The Fashioned World of Wong Kar-wai Surfaces of Light 3 Light Spaces, Screen Surfaces: On the Fabric of Projection 4 The Surface Tension of Media: Texture, Canvas, Screen 5 Depth of Surface, Screen Fabrics: Stains, Coatings, and "Films" Screens of Projection 6 Sites of Screening: Cinema, Museum, and the Art of Projection 7 The Architect's Museum: Isaac Julien's Double-Screen Projections Matters of the Imagination 8 Projections: The Architectural Imaginary in Art 9 Textures in Havana: Memoirs of Material Culture 10 On Dust, Blur, and the Stains of Time: A "Virtual" Letter to Sally Potter Notes Index
Copyright Date
2014
Topic
Criticism & Theory, Criticism, Aesthetics, Film / History & Criticism
Dewey Decimal
111/.85
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Art, Architecture, Philosophy, Performing Arts
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