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The Painter's Touch: Boucher, Chardin, Fragonard by Lajer-Burcharth, Ewa

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eBay-objectnummer:116127986079
Laatst bijgewerkt op 27 mei 2024 18:23:27 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

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Objectstaat
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
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ISBN
9780691170121
Publication Year
2018
Type
Textbook
Format
Hardcover
Language
English
Publication Name
Painter's Touch : Boucher, Chardin, Fragonard
Item Height
1in
Author
Ewa Lajer-Burcharth
Item Length
11.7in
Publisher
Princeton University Press
Item Width
9in
Item Weight
49 Oz
Number of Pages
312 Pages

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Product Information

A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter's own experience of the process of making matter for our understanding of both the painting and its maker? The Painter's Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of Fran ois Boucher, Jean-Sim on Chardin, and Jean-Honor Fragonard, entirely recasting our understanding of these painters' practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters' work--the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard--contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher's commercial tact, Chardin's interiorized craft, and Fragonard's materialization of eros. Foregrounding the question of experience--that of the painters and of the people they represent--she shows how painting as a medium contributed to the Enlightenment's discourse on the self in both its individual and social functions. By examining what paintings actually "say" in brushstrokes, texture, and paint, The Painter's Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691170126
ISBN-13
9780691170121
eBay Product ID (ePID)
237408891

Product Key Features

Author
Ewa Lajer-Burcharth
Publication Name
Painter's Touch : Boucher, Chardin, Fragonard
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
312 Pages

Dimensions

Item Length
11.7in
Item Height
1in
Item Width
9in
Item Weight
49 Oz

Additional Product Features

Lc Classification Number
Nd546.L35 2017
Reviews
"Provocative and unsettling. . . . [ The Painter's Touch ] will surely provide the starting point of new thinking about eighteenth-century French art for decades to come." ---Katie Scott, Art History, "Ewa Lajer-Burcharth has written one of the first books that elevates eighteenth-century genre painting to the level of artistic and philosophical complexity that it truly deserves. One could say that it is a lesson in taking the art on its own terms. The result of close to a decade of sustained thought and research, the book is simply stunning. . . . It is Lajer-Burcharth's singular achievement to give us a very different eighteenth century, a 'luminous elsewhere' that's also right here with us. And radically ordinary." ---Kevin Chua, Nonsite, "Ewa Lajer-Burcharth's new work continues her radical and original accounts of eighteenth-century French painting. . . . The theories and ideas invoked belong both to eighteenth-century contexts and to unexpected modern inclusions, such as the psychoanalytic philosophy of Andre´ Green. The reader is involved in a vigorous and at times provocative debate, vital to our understanding of the origins of modernity." ---Richard Hobbs, French Studies: A Quarterly Review, "Brilliantly imaginative and provocative, The Painter's Touch is a hugely impressive book that radically recasts our idea of making selves and things, and how they are interformed, at a critical moment of Western modernity." --Satish Padiyar, author of Chains: David, Canova, and the Fall of the Public Hero in Postrevolutionary France, "Magisterially written . . . this book is a tour de force of interpretative analysis. Beautifully produced and generously illustrated, it offers a thoroughgoing, radical and at times controversial reassessment of the lives and careers of three of the eighteenth century's greatest painters." ---Colin B. Bailey, Burlington Magazine, "Provocative and unsettling . . . . [ The Painter's Touch ] will surely provide the starting point of new thinking about eighteenth-century French art for decades to come." ---Katie Scott, Art History, "In this long-anticipated book, Lajer-Burcharth looks more closely and originally at the very paint of masterpieces by Boucher, Chardin, and Fragonard than anyone may ever have done before. Unexpectedly extending the material turn to the medium we have come to take for granted, oil paint, Lajer-Burcharth convinces us that all great paintings contain deep meanings within their forms. If this book doesn't dispel the aura of frivolity called rococo around three great artists, nothing will." --Anne Higonnet, Barnard College, Columbia University, author of A Museum of One's Own: Private Collecting, Public Gift
Copyright Date
2018
Target Audience
College Audience
Topic
European, History / Baroque & Rococo, History / General
Lccn
2016-056803
Dewey Decimal
759.4
Dewey Edition
23
Illustrated
Yes
Genre
Art

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