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The Sixties: 1960-1969 Volume 8 by Paul Monaco: Used
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Bevindt zich in: Sparks, Nevada, Verenigde Staten
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eBay-objectnummer:403967474432
Specificaties
- Objectstaat
- Publication Date
- 2003-06-01
- Pages
- 359
- ISBN
- 9780520238046
Over dit product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520238044
ISBN-13
9780520238046
eBay Product ID (ePID)
2307734
Product Key Features
Book Title
Sixties : 1960-1969
Number of Pages
359 Pages
Language
English
Topic
Film / General, Industries / Entertainment
Publication Year
2003
Illustrator
Yes
Genre
Performing Arts, Business & Economics
Book Series
History of the American Cinema Ser.
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
22.4 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-025693
TitleLeading
The
Series Volume Number
8
Table Of Content
Acknowledgments Contributors Introduction 1 Hollywood Faces New Challenges 2 Changing Patterns of Production and the Arrival of the Conglomerates 3 The Runaway Audience and the Changing World of Movie Exhibition 4 The Waning Production Code and the Rise of the Ratings System 5 The Camera Eye 6 The Cutter's Room 7 Sound and Music 8 The Twilight of the Goddesses: Hollywood Actresses in the 1960s 9 Male Domination of the Hollywood Screen 10 The Establishment Judges: Academy Awards for Best Picture 11 Landmark Movies of the 196os and the Cinema of Sensation 12 The Nonfiction Film Richard M. Barsam 13 "What Went Wrong?": The American Avant-Garde Cinema of the 196os Walter Metz Conclusion Appendixes APPENDIX 1 NUMBER OF FEATURE FILMS RELEASED BY THE SEVEN MAJOR DISTRIBUTION COMPANIES, 1960-1968, 1970 APPENDIX 2 NUMBER AND FREQUENCY OF THEATRICAL AND MADE-FOR-TV FEATURE FILMS ON U.S. NETWORK TELEVISION, 1961/62-1970/71 APPENDIX 3 NUMBER OF MOTION PICTURE THEATERS IN THE UNITED STATES APPENDIX 4 CONSTRUCTION OF NEW MOTION PICTURE THEATERS IN THE UNITED STATES, BY TYPE APPENDIX 5 MOTION PICTURE BOX OFFICE RECEIPTS IN THE UNITED STATES APPENDIX 6 RELEASES IN WIDESCREEN PROCESSES, 1960-1968 APPENDIX 7 ACADEMY AWARD NOMINATIONS AND WINNERS (IN BOLD) FOR BEST PICTURE, 1960-1969 APPENDIX 8 SELECTED AMERICAN AVANT-GARDE FILMS OF THE SIXTIES, BY YEAR Notes Bibliography Picture Sources General Index Index of Films
Synopsis
Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new "cinema of sensation." Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and "downer" films like Midnight Cowboy proved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation of Bonnie and Clyde, to the comic-book satire of Dr. Strangelove, to the youthful alienation of The Graduate., Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new cinema of sensation. Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and downer films like Midnight Cowboy proved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation of Bonnie and Clyde, to the comic-book satire of Dr. Strangelove, to the youthful alienation of The Graduate., Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new "cinema of sensation." Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and "downer" films likeMidnight Cowboyproved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation ofBonnie and Clyde,to the comic-book satire ofDr. Strangelove,to the youthful alienation ofThe Graduate.
LC Classification Number
2002025693
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