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Chicago Blues: The City and the Music by Mike Rowe: New
US $21,45
OngeveerEUR 18,33
Objectstaat:
Nieuw
Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of beschadigd zijn. Bekijk de aanbieding van de verkoper voor de volledige details.
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Bevindt zich in: Sparks, Nevada, Verenigde Staten
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Geschatte levering tussen di, 19 aug en ma, 25 aug tot 94104
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eBay-objectnummer:402896429422
Specificaties
- Objectstaat
- Publication Date
- 1981-08-22
- Pages
- 226
- ISBN
- 9780306801457
Over dit product
Product Identifiers
Publisher
Hachette Books
ISBN-10
0306801450
ISBN-13
9780306801457
eBay Product ID (ePID)
103758
Product Key Features
Book Title
Chicago Blues : the City and the Music
Number of Pages
226 Pages
Language
English
Topic
History & Criticism, Philosophy & Social Aspects, Genres & Styles / Blues, United States / State & Local / MidWest (IA, Il, in, Ks, Mi, MN, Mo, Nd, Ne, Oh, Sd, Wi), Genres & Styles / Jazz
Publication Year
1981
Illustrator
Yes
Features
Reprint
Genre
Music, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
11.4 Oz
Item Length
8.5 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Trade
LCCN
81-007874
Edition Description
Reprint
Synopsis
Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues,more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta,a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor,all of these giants played throughout the city and created a musical style that had imitators and influence all over the world., Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues-more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta--a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor--all of these giants played throughout the city and created a musical style that had imitators and influence all over the world., Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues-more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta-a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor-all of these giants played throughout the city and created a musical style that had imitators and influence all over the world.
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