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Ritual Performance in Early Chinese Thought: A Dramaturgical Perspective by Thom
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Bevindt zich in: Fairfield, Ohio, Verenigde Staten
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eBay-objectnummer:396735586087
Specificaties
- Objectstaat
- ISBN-13
- 9781350358966
- Book Title
- Ritual Performance in Early Chinese Thought
- ISBN
- 9781350358966
Over dit product
Product Identifiers
Publisher
Bloomsbury Academic & Professional
ISBN-10
1350358967
ISBN-13
9781350358966
eBay Product ID (ePID)
16065554982
Product Key Features
Number of Pages
192 Pages
Language
English
Publication Name
Ritual Performance in Early Chinese Thought : a Dramaturgical Perspective
Publication Year
2024
Subject
Ancient, General, Confucianism, Religion, Politics & State
Type
Textbook
Subject Area
Religion
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
15.9 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2024-014551
Dewey Edition
23/eng/20240627
Reviews
"Proceeding from the perspectives of dramaturgy, theatricality, and spectatorship, Thomas Radice provides us with an insightful discussion to enrich our overall understanding of one of Confucianism's trickiest features, namely "ritual"" -- Geir Sigurðsson, Professor of Chinese Studies, University of Iceland, Iceland "In this thoughtful new book, Thomas Radice addresses the early Chinese debate over conceptualizing ritual as a kind of performance, including complex view that performing rituals can help us discover, and productively channel, deep-seated emotions." -- Paul R. Goldin, Professor of East Asian Languages & Civilizations, University of Pennsylvania, USA, Proceeding from the perspectives of dramaturgy, theatricality, and spectatorship, Thomas Radice provides us with an insightful discussion to enrich our overall understanding of one of Confucianism's trickiest features, namely "ritual", "Proceeding from the perspectives of dramaturgy, theatricality, and spectatorship, Thomas Radice provides us with an insightful discussion to enrich our overall understanding of one of Confucianism's trickiest features, namely "ritual"" -- Geir Sigurðsson, Professor of Chinese Studies, University of Iceland, Iceland "In this thoughtful new book, Thomas Radice addresses the early Chinese debate over conceptualizing ritual as a kind of performance, including the complex view that performing rituals can help us discover, and productively channel, deep-seated emotions." -- Paul R. Goldin, Professor of East Asian Languages & Civilizations, University of Pennsylvania, USA
Dewey Decimal
299.5/1238
Table Of Content
Acknowledgements Introduction 1. Kongzi as Dramaturg: Cultivating Performers and Spectators of Ritual Theatricality 2. (Not) Faking It: Antitheatricality and Spectatorship 3. Method Mourning: Embodying Art and Artifice in Confucian Dramaturgy 4. Power and/of Presence: Theatricality and Political Performance Conclusion Bibliography
Synopsis
Examining early Chinese ritual discourse during the Warring States and early Western Han Periods, this book reveals how performance became a fundamental feature of ritual and politics in early China. Through a dramaturgical lens, Thomas Radice explores the extent to which performer/spectator relationships influenced all aspects of early Chinese religious, ethical, and political discourse.Arguing that the Confucians conceived ritual as primarily a dramaturgical matter, this book demonstrates not only that theatricality was necessary for expression and deception in a community of spectators, but also how a theatrical 'presence' ultimately became essential to all forms of public life in early China. Thomas Radice illuminates previously unexplored connections between early Chinese texts, aesthetics, and traditions., Examining early Chinese ritual discourse during the Warring States and early Western Han Periods, this book reveals how performance became a fundamental feature of ritual and politics in early China. Through a dramaturgical lens, Thomas Radice explores the extent to which performer/spectator relationships influenced all aspects of early Chinese religious, ethical, and political discourse. Arguing that the Confucians conceived ritual as primarily a dramaturgical matter, this book demonstrates not only that theatricality was necessary for expression and deception in a community of spectators, but also how a theatrical 'presence' ultimately became essential to all forms of public life in early China. Thomas Radice illuminates previously unexplored connections between early Chinese texts, aesthetics, and traditions.
LC Classification Number
BL1812.R57R33 2024
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