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A History of Artists' Film and Video in Britain by David Curtis (English) Hardco

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
ISBN-13
9781844570959
Book Title
A History of Artists' Film and Video in Britain
ISBN
9781844570959

Over dit product

Product Identifiers

Publisher
Bfi Publishing
ISBN-10
1844570959
ISBN-13
9781844570959
eBay Product ID (ePID)
46583737

Product Key Features

Number of Pages
320 Pages
Language
English
Publication Name
History of Artists' Film and Video in Britain
Subject
Film / General, Film / Référence, General, European, Film / History & Criticism
Publication Year
2006
Type
Textbook
Subject Area
Art, Performing Arts
Author
David Curtis
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
42.8 Oz
Item Length
9.9 in
Item Width
8.1 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
22
TitleLeading
A
Reviews
Winner of the 2008 Kraszna-Krausz Award for the Best Moving Image Book. For more information about this prize, see the website: http://www.kraszna-krausz.org.uk/
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
791.43657
Synopsis
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997, respectively) for work made on video. This fin-de-sieacute; cle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental filmmakers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to reinvigorate such time-honored subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain--a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, "A History of Artists' Film and Video in Britain,1897-2004" brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organizations that have supported the art form's development. In so doing it greatly enlarges the scope of any understanding of "British cinema" and demonstrates the crucial importance of the moving image to British art history., In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history., Bringing to light the range and diversity of British artists work in the mediums of film and video, Curtis demonstrates the crucial importance of the moving image to British art history. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Peter Greenaway and Tracy Emin.
LC Classification Number
PN1993.5

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