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Art History After Modernism by Belting, Hans

by Belting, Hans | PB | VeryGood
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Specificaties

Objectstaat
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
Opmerkingen van verkoper
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Book Title
Art History After Modernism
Weight
0 lbs
Product Group
Book
IsTextBook
Yes
ISBN
9780226041858

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Product Identifiers

Publisher
University of Chicago Press
ISBN-10
0226041859
ISBN-13
9780226041858
eBay Product ID (ePID)
1745118

Product Key Features

Number of Pages
236 Pages
Publication Name
Art History after Modernism
Language
English
Subject
History / Contemporary (1945-), Criticism & Theory, General, History / General
Publication Year
2003
Type
Textbook
Subject Area
Art
Author
Hans Belting
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
12.1 Oz
Item Length
0.8 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2001-006547
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
709/.04/5
Table Of Content
I - Modernism in the Mirror of Contemporary Culture 1. Epilogues for Art or for Art History? 2. The Meaning of Art History in Today's Culture 3. Art Criticism versus Art History 4. The Unwelcome Heritage of Modernism: Style and History 5. The Late Cult of Modernism: Documenta and Western Art 6. Western Art: The Intervention of the United States in Postwar Modernism 7. Europe: East and West at the Watershed of Art History 8. Global Art and Minorities: A New Geography of Art History 9. The Mirror of Mass Culture: Art's Revolt against Art History 10. The Temporality of Video Art 11. The Narrative of Art in the New Museum: The Search for a Profile II - The End of Art History? 12. Art and the Crisis of Modernism 13. Art Historiography as Tradition 14. Methods and Games of an Academic Discipline 15. Work of Art or History of Art? 16. Art History versus Media Studies 17. The Myth of Modernism in the Mirror of Art History 18. Postmodernism or Posthistory? 19. "Prospero's Books" 20. Marco Polo and Other Cultures Bibliography Index
Synopsis
"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all . So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? . "Known for his striking and original theories about the nature of art," according to the Economist , Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues--the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum--and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism , Belting retains his place as one of the most original thinkers working in the visual arts today., "Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all . So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? . "Known for his striking and original theories about the nature of art," according to the Economist , Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues-the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum-and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism , Belting retains his place as one of the most original thinkers working in the visual arts today.
LC Classification Number
N380.B4413 2002

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