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Club 57: Film, Performance, and Art in the East Village, 1978-1983 by Magliozzi
US $42,99
OngeveerEUR 36,91
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“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
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Verzendkosten:
US $6,99 (ongeveer EUR 6,00) USPS Media MailTM.
Bevindt zich in: Multiple Locations, Verenigde Staten
Levering:
Geschatte levering tussen wo, 20 aug en di, 26 aug tot 94104
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30 dagen om te retourneren. Koper betaalt voor retourzending Als u een eBay-verzendlabel gebruikt, wordt dit in mindering gebracht op het terugbetalingsbedrag.
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eBay-objectnummer:365640228457
Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- Narrative Type
- Equipment, Techniques & Reference
- Type
- Book
- Intended Audience
- N/A
- ISBN
- 9781633450301
Over dit product
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
1633450309
ISBN-13
9781633450301
eBay Product ID (ePID)
234399683
Product Key Features
Book Title
Club 57 : Film, Performance, and Art in the East Village, 1978-1983
Number of Pages
184 Pages
Language
English
Publication Year
2017
Topic
Theater / General, General, Performance, Customs & Traditions
Illustrator
Yes
Genre
Art, Performing Arts, Social Science
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
37.7 Oz
Item Length
10.8 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Trade
Reviews
Opened in 1978, it quickly became a center for all manner of creative experimentation: photography, video, zines, performance, music, and theater, and more than a few important artists emerged from its damp depths: Keith Haring, who used to perform from inside a fake TV set; the painter Kenny Scharf; the team of Marc Shaiman and Scott Wittman, who would go on to write the music and lyrics for Hairspray.
Dewey Edition
23
Dewey Decimal
792.7097471
Synopsis
How one small, no-budget club became a crucible of East Village creativity New York s East Village was alive with artistic activity in the 1970s and 80s, fueled by low rents, resistance to the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood s constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John Lypsinka Eppperson, and Lisa Baumgardner. Fabled but not widely known until now, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine this scene-changing alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978 1983 features rarely seen artwork, film stills, photographs, posters, flyers, and zines to create a uniquely detailed portrait of unbridled creativity before the dawn of the digital age., How one small, no-budget club became a crucible of East Village creativity New York's East Village was alive with artistic activity in the 1970s and '80s, fueled by low rents, resistance to the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. Club 57, located in the basement of a Polish church at 57 St. Marks Place, began as a no-budget venue for music and film exhibitions and quickly became a center of the neighborhood's constellation of countercultural venues, with artists such as Keith Haring, Ann Magnuson, Klaus Nomi, Tseng Kwong Chi, John Sex, Fab 5 Freddy, John "Lypsinka" Eppperson, and Lisa Baumgardner. Fabled but not widely known until now, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine this scene-changing alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978-1983 features rarely seen artwork, film stills, photographs, posters, flyers, and zines to create a uniquely detailed portrait of unbridled creativity before the dawn of the digital age., An in-depth examination of the iconic alternative space Club 57.Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978-83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in downtown New York fuelled by low rents, the Reagan presidency and the desire to experiment with new modes of art, performance, fashion, music and exhibition. A centre of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake. Published to accompany the first major exhibition to examine the scene-changing, interdisciplinary life of downtown New York's seminal alternative space in full, Club 57: Film, Performance, and Art in the East Village, 1978-1983 taps into the legacy of Club 57's founding curatorial staff to examine how the convergence of film, video, performance, art and curatorship in the club environment of New York in the 1970s and 1980s became a model for a new spirit of interdisciplinary endeavour. The richly illustrated publication will feature film and video stills; photographs of Club event and activities; ephemeral documents such as flyers, posters and period zines; and a robust plate section of rarely-seen artwork from the period by the likes of Keith Haring, Kenny Scharf, Tseng Kwong Chi, Kitty Brophy, Fab Five Freddy, Richard Hambleton, Dan Asher, Ellen Berkenblit and John Sex.
LC Classification Number
F128.627
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