Deze aanbieding is verkocht op vr, 6 jun om 6:42 AM.
The Object of Labor: Art, Cloth, and Cultural Production by Joan Livingstone
Verkocht
The Object of Labor: Art, Cloth, and Cultural Production by Joan Livingstone
US $18,00US $18,00
za, 07 jun, 06:42za, 07 jun, 06:42
Hebt u iets om te verkopen?

The Object of Labor: Art, Cloth, and Cultural Production by Joan Livingstone

waterlo-40
(404)
Ingeschreven als zakelijke verkoper
US $18,00
OngeveerEUR 15,55
Objectstaat:
Goed
Good condition. Mild wear to dustjacket and book edges. No markings, rips, or tears.
    Verzendkosten:
    Gratis USPS Media MailTM.
    Bevindt zich in: Waterloo, Iowa, Verenigde Staten
    Levering:
    Geschatte levering tussen za, 9 aug en vr, 15 aug tot 94104
    De levertijd wordt geschat met onze eigen methode op basis van onder meer de nabijheid van de koper ten opzichte van de objectlocatie, de geselecteerde verzendservice, en de verzendgeschiedenis van de verkoper. De leveringstermijnen kunnen variëren, vooral gedurende piekperiodes.
    Retourbeleid:
    30 dagen om te retourneren. Koper betaalt voor retourzending Als u een eBay-verzendlabel gebruikt, wordt dit in mindering gebracht op het terugbetalingsbedrag.
    Betalingen:
         Diners Club

    Winkel met vertrouwen

    Geld-terug-garantie van eBay
    Ontvang het object dat u hebt besteld of krijg uw geld terug. Meer informatieGeld-terug-garantie van eBay - nieuw venster of tabblad
    De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
    eBay-objectnummer:365570370788

    De netto-opbrengst gaat naar Friends of the Waterloo Public Library

    generate interest in and to stimulate public support for the Library.
    • Officiële aanbieding van eBay for Charity Meer weten?
    • Deze verkoop is ten voordele van een goedgekeurde non-profitorganisatie.

    Specificaties

    Objectstaat
    Goed
    Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
    Opmerkingen van verkoper
    “Good condition. Mild wear to dustjacket and book edges. No markings, rips, or tears.”
    Type
    Does not apply
    ISBN-13
    9780262122900
    ISBN
    9780262122900

    Over dit product

    Product Identifiers

    Publisher
    MIT Press
    ISBN-10
    0262122901
    ISBN-13
    9780262122900
    eBay Product ID (ePID)
    57036604

    Product Key Features

    Book Title
    Object of Labor : Art, Cloth, and Cultural Production
    Number of Pages
    422 Pages
    Language
    English
    Topic
    Business Aspects, General, Customs & Traditions
    Publication Year
    2007
    Illustrator
    Yes
    Genre
    Art, Social Science
    Author
    John Ploof
    Format
    Hardcover

    Dimensions

    Item Height
    1.5 in
    Item Weight
    55.7 Oz
    Item Length
    9.7 in
    Item Width
    7.8 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2006-027386
    Dewey Edition
    22
    TitleLeading
    The
    Grade From
    College Graduate Student
    Dewey Decimal
    338.6/425
    Synopsis
    Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images. The Object of Labor explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this pubication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects-twelve striking and beautiful eight-page, full color spreads-conduct parallel investigations into art, cloth, and work.The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Artist projects and portfolios Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pep n Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, Anne Wilson, Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images. The Object of Labor explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this pubication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects--twelve striking and beautiful eight-page, full color spreads--conduct parallel investigations into art, cloth, and work.The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Artist projects and portfolios Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pep n Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, Anne Wilson, Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images., Essays and artists' projects explore the ubiquity of cloth in everyday life and the effect of globalization on art and labor; with more than 100 color images. The Object of Labor explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this pubication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects--twelve striking and beautiful eight-page, full color spreads--conduct parallel investigations into art, cloth, and work.The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Artist projects and portfolios Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pepón Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, Anne Wilson, "The Object of Labor" explores the personal, political, social, and economic meaning of work in the context of art and textile production. The ubiquity of cloth in everyday life, the historically resonant relationship of textile and cloth to labor, and the tumultuous drive of globalization make the issues raised by this publication of special interest today. The seventeen essays cover topics ranging from art-making practices to labor history and the effects of globalization as seen through art and labor. The artists' projects--twelve striking and beautiful eight-page, full color spreads--conduct parallel investigations into art, cloth, and work. The contributors explore, from historical and personal perspectives, such subjects as the charged history of offshore garment workers; the different systems of production and consumption in factories, homes, studios, and exhibitions; the revelation of class, gender, and sexuality through cloth, costume, and textile images; textile production as commemorative acts in South Africa, the United States, and India; transnationalism, cultural hybridity, and race in the work of individual artists; lost histories of garment production and embroidery; the physical act of art-making as labor; and the value of handmade and "technologically improved" objects. Essays by: Ingrid Bachmann, Carol Becker, Andries Botha, Lou Cabeen, Helen Cho, Alison Ferris, Nancy Gildart, bell hooks, Alan Howard, Mary Jane Jacob, Janis Jeffries, Neil MacInnis, Margo Mensing, Kevin Murray, Sadie Plant, Maureen Sherlock, and collectively by Viji Srinivasan, Skye Morrison, Laila Tyabji, and Dorothy Caldwell. Artist projects and portfolios by: Susie Brandt, Nick Cave, Park Chambers, Lisa Clark, Lia Cook, Ann Hamilton, Kimsooja, Barbara Layne and Sue Rowley, Lara Lepionka, Merrill Mason, Darrel Morris, Pepon Osorio, J. Morgan Puett and Iain Kerr, Karen Reimer, Yinka Shonibare, SubRosa, Christine Tarkowski, and Anne Wilson.
    LC Classification Number
    HD9999.H362O25 2007

    Objectbeschrijving van de verkoper

    Informatie van zakelijke verkoper

    Ik verklaar dat al mijn verkoopactiviteiten zullen voldoen aan alle wet- en regelgeving van de EU.
    Over deze verkoper

    waterlo-40

    100% positieve feedback1,4K objecten verkocht

    Lid geworden op mrt 2019
    Reageert meestal binnen 24 uur
    Ingeschreven als zakelijke verkoper

    Gedetailleerde verkopersbeoordelingen

    Gemiddelde van de afgelopen 12 maanden
    Nauwkeurige beschrijving
    4.9
    Redelijke verzendkosten
    5.0
    Verzendtijd
    5.0
    Communicatie
    5.0

    Feedback verkoper (436)

    Alle beoordelingen
    Positief
    Neutraal
    Negatief
      • h***i (740)- Feedback gegeven door koper.
        Afgelopen maand
        Geverifieerde aankoop
        A fast and flawless transaction.
      Alle feedback weergeven