Afbeelding 1 van 1
Galerij
Afbeelding 1 van 1
The Aesthetics and Psychology of the Cinema [The Society for Cinema Studies Tran
US $19,63
OngeveerEUR 16,91
Objectstaat:
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
- Nu kopenThe Aesthetics and Psychology of the Cinema [The Society for Cinema Studies Tran
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Verzendkosten:
Gratis USPS Media MailTM.
Bevindt zich in: Phoenix, Arizona, Verenigde Staten
Levering:
Geschatte levering tussen za, 28 jun en wo, 2 jul tot 94104
Retourbeleid:
30 dagen om te retourneren. Koper betaalt voor retourzending Als u een eBay-verzendlabel gebruikt, wordt dit in mindering gebracht op het terugbetalingsbedrag.
Betalingen:
Winkel met vertrouwen
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:365045843632
Specificaties
- Objectstaat
- ISBN
- 9780253213778
Over dit product
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253213770
ISBN-13
9780253213778
eBay Product ID (ePID)
1682717
Product Key Features
Number of Pages
424 Pages
Language
English
Publication Name
Aesthetics and Psychology of the Cinema
Publication Year
2000
Subject
Film / General
Type
Textbook
Subject Area
Performing Arts
Series
The Society for Cinema Studies Translation Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
1.6 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
96-054298
TitleLeading
The
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.4/3/015
Synopsis
[Jean Mitry] is the Aristotle of film. --R.D. MacCann This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema... --Richard Abel The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together. --Leo Charney Christian Metz wrote that with this work, an entire era of film literature ends. Perhaps because it was so imposing, people like Metz turned in different directions--semiotics, structuralism, Marxism, psychoanalysis, and so on. --Charles Maland Jean Mitry's Aesthetics and Psychology of the Cinema presents a formalist, phenomenological approach to the aesthetics of cinema. It provides a historically interesting basis for a full-blown auteurist aesthetics, which continues to form the basis for a great deal of thinking about film. Mitry's book is also the basis out of which the semiotics of Christian Metz and others flourished in the late 1960's. It supplies the missing link between the classical film theorists like Balacz and Munsterberg and the film semioticians like Metz, who came later. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic work concentrates purely on film matter. In it, Mitry discusses such topics as the film image, rhythm and montage, rhythm and moving shots, and time and space of the drama., Jean Mitry] is the Aristotle of film." --R.D. MacCann This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema..." --Richard Abel The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together." --Leo Charney Christian Metz wrote that with this work, an entire era of film literature ends. Perhaps because it was so imposing, people like Metz turned in different directions--semiotics, structuralism, Marxism, psychoanalysis, and so on." --Charles Maland Jean Mitry's Aesthetics and Psychology of the Cinema presents a formalist, phenomenological approach to the aesthetics of cinema. It provides a historically interesting basis for a full-blown auteurist aesthetics, which continues to form the basis for a great deal of thinking about film. Mitry's book is also the basis out of which the semiotics of Christian Metz and others flourished in the late 1960's. It supplies the missing link between the classical film theorists like Balacz and Munsterberg and the film semioticians like Metz, who came later. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic work concentrates purely on film matter. In it, Mitry discusses such topics as the film image, rhythm and montage, rhythm and moving shots, and time and space of the drama., [Jean Mitry] is the Aristotle of film." --R.D. MacCann This text marks a watershed in film theory. Mitry sums up the first fifty years of theoretical writings on the cinema..." --Richard Abel The rediscovery of Mitry could change the parameters of film teaching, breaking down the boundaries between the real and the formal, forcing us to see how they are inexorably fused together." --Leo Charney Christian Metz wrote that with this work, an entire era of film literature ends. Perhaps because it was so imposing, people like Metz turned in different directions--semiotics, structuralism, Marxism, psychoanalysis, and so on." --Charles Maland Jean Mitry's Aesthetics and Psychology of the Cinema presents a formalist, phenomenological approach to the aesthetics of cinema. It provides a historically interesting basis for a full-blown auteurist aesthetics, which continues to form the basis for a great deal of thinking about film. Mitry's book is also the basis out of which the semiotics of Christian Metz and others flourished in the late 1960's. It supplies the missing link between the classical film theorists like Balacz and Munsterberg and the film semioticians like Metz, who came later. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic work concentrates purely on film matter. In it, Mitry discusses such topics as the film image, rhythm and montage, rhythm and moving shots, and time and space of the drama.
LC Classification Number
PN1995
Objectbeschrijving van de verkoper
Informatie van zakelijke verkoper
Over deze verkoper
Kulelibooks
99,5% positieve feedback•41K objecten verkocht
Ingeschreven als zakelijke verkoper
Feedback verkoper (9.894)
- g***i (323)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopVery pleased with purchase!!
- o***0 (107)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopExcellent
- y***r (253)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopItem received as described, Fast shipping, Thank You Very Much!