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Black Book by Robert Mapplethorpe: Used
US $55,09
OngeveerEUR 47,61
Objectstaat:
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
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Gratis Standard Shipping.
Bevindt zich in: Sparks, Nevada, Verenigde Staten
Levering:
Geschatte levering tussen vr, 8 aug en do, 14 aug tot 94104
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eBay-objectnummer:364047168997
Specificaties
- Objectstaat
- Publication Date
- 1988-07-15
- Pages
- 112
- ISBN
- 9780312021665
Over dit product
Product Identifiers
Publisher
St. Martin's Press
ISBN-10
0312021666
ISBN-13
9780312021665
eBay Product ID (ePID)
120629
Product Key Features
Book Title
Robert Mapplethorpe
Number of Pages
112 Pages
Language
English
Topic
Individual Photographers / General, General, Subjects & Themes / General
Publication Year
1988
Features
Revised
Illustrator
Yes
Genre
Art, Photography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
27.2 Oz
Item Length
9.8 in
Item Width
10.3 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
19
Reviews
"Mapplethorpe wants to photograph everything; that is , everything that can be made to pose. What he looks for, which could be called Form, is the quiddity or isness of something. Not the truth about something, but the strongest version of it...Certain People are, mostly, people found, coaxed, or arranged into a certainty about themselves. That is what seduces, that is what is disclosed in these bulletins of great photographer's observations and encounters." --Susan Sontag "His eye for a face is the eye of a novelist in search of a character; his eye for a body that of a classical sculptor in search of an 'ideal.' His sitters-whenter celebrities or pick-ups, beautiful girls or his black friends-seem mesmerized not by the lens but by his presence, and they are temporarily transported into a dreamworld." --Bruce Chatwin "Mapplethorpe's subject matter is portraits, still lifes, nudes and landscapes. His technical ability is flawless and takes the black-and-white photo to its limit, using subtle, but dramatic, lighting to create weighty sculptural forms (even his brunch of moisture-laden Concord grapes, on view, look as if carved from deep-black marble." --The San Francisco Examiner, "Mapplethorpe wants to photograph everything; that is , everything that can be made to pose. What he looks for, which could be called Form, is the quiddity or isness of something. Not the truth about something, but the strongest version of it... Certain People are, mostly, people found, coaxed, or arranged into a certainty about themselves. That is what seduces, that is what is disclosed in these bulletins of great photographer's observations and encounters." -- Susan Sontag "His eye for a face is the eye of a novelist in search of a character; his eye for a body that of a classical sculptor in search of an 'ideal.' His sitters-whenter celebrities or pick-ups, beautiful girls or his black friends-seem mesmerized not by the lens but by his presence, and they are temporarily transported into a dreamworld." -- Bruce Chatwin "Mapplethorpe's subject matter is portraits, still lifes, nudes and landscapes. His technical ability is flawless and takes the black-and-white photo to its limit, using subtle, but dramatic, lighting to create weighty sculptural forms (even his brunch of moisture-laden Concord grapes, on view, look as if carved from deep-black marble." -- The San Francisco Examiner
Dewey Decimal
779/.23/0924
Edition Description
Revised edition
Synopsis
In Black Book, Robert Mapplethorpe presents an astonishing photographic study of black men today. In their diversity, impact, subtlety, technical virtuosity, erotic appeal, and deep humanity, these photographs constitute a stunning celebration of the contemporary black male. "all my life they've been near me/these men" says Ntozake Shange in her Foreword, "i've been holdin your heart in/my hand since i was a child/cause i wanted what all you were/what all you are/now you're a man."
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