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British Musical Criticism and Intellectual Thought, 1850-1950 by Jeremy Dibble
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Specificaties
- Objectstaat
- Book Title
- British Musical Criticism and Intellectual Thought, 1850-1950
- Publication Date
- 2018-06-15
- ISBN
- 9781783272877
Over dit product
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1783272872
ISBN-13
9781783272877
eBay Product ID (ePID)
242852622
Product Key Features
Number of Pages
390 Pages
Language
English
Publication Name
British Musical Criticism and Intellectual Thought, 1850-1950
Publication Year
2018
Subject
History & Criticism, Genres & Styles / Classical
Type
Textbook
Subject Area
Music
Series
Music in Britain, 1600-2000 Ser.
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
28.5 Oz
Item Length
9.5 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-562901
Dewey Edition
23
Reviews
[A] welcome addition to the growing literature on the writers who sought in one way or another to shape public opinion during an extraordinary period in the evolution of the role of music in British life, marked by radical transformations in musical culture both at home and abroad. . . . [A] major and timely contribution to the field of British music studies. NABMSA REVIEWS [Alain Frogley] A well thought-out publication and a substantial contribution to an as yet under-represented area of British music studies. BRIO Will be primarily of interest to scholars who wish to gain a quick overview of a particular figure's work. THE JOURNAL OF MUSIC
Series Volume Number
19
Illustrated
Yes
Volume Number
19
Dewey Decimal
780.941/09034
Table Of Content
Introduction: Trends in British Musical Thought, 1850-1950 - Jeremy Dibble and Julian HortonAvoiding 'Coarse Invective' and 'Unseemly Vehemence': English Music Criticism, 1850-1870 - Peter HortonSpencer, Sympathy and the Oxford School of Music Criticism - Bennett ZonFree Thought and the Musician: Ernest Walker, the 'English Hanslick' - Jeremy DibbleErnest Newman and the Promise of Method in Biography, Criticism and History - Paul Watt'Making Symphony Articulate': Bernard Shaw's Sense of Music History - Harry WhiteAnalysis and Value Judgment: Schumann, Bruckner and Tovey's Essays in Musical Analysis - Julian HortonThe Scholar as Critic: Edward J. Dent - Karen ArrandaleRussia and Eastern Europe - Philip Ross BullockAnti-Intellectualism and the Rhetoric of 'National Character' in Music: The Vulgarity of Over-Refinement - Sarah CollinsChosen Causes: Writings on Music by Bernard van Dieren, Peter Warlock and Cecil Gray - Séamas de Barra'Es klang so alt und war doch so neu': Vaughan Williams, Aesthetics and History - Aidan J. ThomsonConstant Lambert: A Critic for Today? A Commentary on Music Ho! - Christopher MarkThe Challenge to Goodwill: Herbert Howells, Alban Berg and 'The Modern Problem' - Jonathan ClinchHans Keller: The Making of an 'Anti-Critic' - Select Bibliography
Synopsis
British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove, Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in other chapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism.JEREMY DIBBLE is Professor of Music at Durham University.JULIAN HORTON is Professor of Music at Durham University.Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICK ZUK, This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century. British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove, Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in otherchapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism. JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University. Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK, This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century., This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century. British music between the mid-nineteenth and the mid-twentieth century reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics. This collection provides an in-depth look at musical criticism during this period. It focusses on major figures such as Grove,Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. Sometimes a seminal work forms the subject of investigation; in otherchapters, a writer's particular stance is highlighted. Further contributions closely analyse the now famous polemics by Shaw, Heseltine and Lambert. The book covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. It will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism. JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University.Contributors: KAREN ARRANDALE, SEAMAS DE BARRA, PHILIP ROSS BULLOCK, JONATHAN CLINCH, SARAH COLLINS, JEREMY DIBBLE, JULIAN HORTON, PETER HORTON, CHRISTOPHER MARK, AIDAN J. THOMSON, PAUL WATT, HARRY WHITE, BENNETT ZON, PATRICKZUK
LC Classification Number
ML501.4
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