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No Acting Please: A Revolutionary Appr..., Morris, Eric
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eBay-objectnummer:356727623977
Specificaties
- Objectstaat
- ISBN
- 096297093X
- EAN
- 9780962970931
- Publication Name
- N/A
- Type
- Paperback
- Release Title
- No Acting Please: A Revolutionary Approach to Acting and Living
- Artist
- Morris, Eric
- Brand
- N/A
- Colour
- N/A
Over dit product
Product Identifiers
Publisher
Ermor Enterprises
ISBN-10
096297093X
ISBN-13
9780962970931
eBay Product ID (ePID)
28038680325
Product Key Features
Book Title
No Acting Please : a Revolutionary Approach to Acting and Living
Number of Pages
176 Pages
Language
English
Publication Year
1995
Topic
General, Acting & Auditioning
Illustrator
Yes
Genre
Performing Arts, Fiction
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
9.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
792.028
Synopsis
A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the "being" state, where the actor does no more and no less than what he or she feels. As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool. Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson., A collection of 125 acting exercises that are based on journal excerpts and dialogues from Mr. Morris' classes. These exercises teach the actor to systematically eliminate his or her instrumental obstacles -- tensions, fears, inhibitions -- and explore the "being" state, where the actor does no more and no less than what he or she feels.As the title indicates, many of the techniques herein address the actor's need to avoid falling into the traps of concept and presentational acting. There is also a complete chapter on sense memory -- what it is, and how to practice it and apply it as an acting tool.Co-authored by Joan Hotchkis, and with a Foreword by Jack Nicholson.
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