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Venice Desired by Tony Tanner Harvard Press 1st Printing Hardcover Venice Italy
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Objectstaat:
“Excellent condition, original 1992 printing.”
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Ophalen:
Gratis ophalen op deze locatie: Farmington, Connecticut, Verenigde Staten.
Verzendkosten:
Gratis USPS Media MailTM.
Bevindt zich in: Farmington, Connecticut, Verenigde Staten
Levering:
Geschatte levering tussen za, 9 aug en vr, 15 aug tot 94104
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eBay-objectnummer:297432865058
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- “Excellent condition, original 1992 printing.”
- Country/Region of Manufacture
- Italy
- ISBN
- 9780674933125
Over dit product
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674933125
ISBN-13
9780674933125
eBay Product ID (ePID)
411586
Product Key Features
Number of Pages
384 Pages
Language
English
Publication Name
Venice Desired
Subject
Modern / 20th Century, General, Modern / 19th Century
Publication Year
1992
Type
Textbook
Subject Area
Literary Criticism
Series
Convergences: Inventories of the Present Ser.
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
20 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-037758
Reviews
I always read Tanner with admiration for the activity and enthusiasm of his mind, and this book shows those qualities to such a degree...that I have no hesitation in calling it his finest book so far... Tanner is one of the diminishing number of critics who continue to delight in literature and whose principal effort is to induce delight in the reader. This is a work of rare excellence., This is not so much a work of academic scholarship (though the scholars would do well to mine it for insights) as an extremely personal testimony to the author's own 'site of writing.' The recognitions are brilliant; the prose is powerful and sustained; the readings are nuanced and subtle., This is not so much a work of academic scholarship (though the scholars would do well to mine it for insights) as an extremely personal testimony to the author'e(tm)s own 'e~site of writing.'e(tm) The recognitions are brilliant; the prose is powerful and sustained; the readings are nuanced and subtle.
Dewey Edition
20
Series Volume Number
7
Illustrated
Yes
Dewey Decimal
914.531
Synopsis
If there is one city that might be said to embody both reason and desire, it would surely be Venice: a thousand-year triumph of rational legislation, aesthetic and sensual self-expression, and self-creation--powerful, lovely, serene. Unique in so many ways, Venice is also unique in its relation to writing. London has Dickens, Paris has Balzac, Saint Petersburg has Dostoevsky, Dublin has Joyce, but there is simply no comparable writer for, or out of, Venice. Venice effectively disappeared from history altogether in 1797 after its defeat by Napoleon. From then on, it seemed to exist as a curiously marooned spectacle. Literally marooned--the city mysteriously growing out of the sea, the beautiful stone impossibly floating on water--but temporally marooned as well, stagnating outside history. Yet as spectacle, as the beautiful city par excellence, the city of art, the city as art and as spectacular example, as the greatest and richest republic in the history of the world, now declined and fallen, Venice became an important site for the European imagination. Watery, dark, silent, a place of sensuality and secrecy; of masks and masquerading; of an always possibly treacherous beauty; of Desdemona and Iago, Shylock, Volpone; of conspiracy and courtesans in Otway; an obvious setting for many Gothic novels--Venice is not written from the inside but variously appropriated from without. Venice--the place, the name, the dream--seems to lend itself to a whole variety of appreciations, recuperations, and and hallucinations. In decay and decline, yet saturated with secret sexuality--suggesting a heady compound of death and desire--Venice becomes for many writers what is was for Byron: both "the greenest island of my imagination" and a "sea-sodom." It also, as this book tries to show, plays a crucial role in the development of modern writing. Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized--then rediscovered or transfigured in selected writings through the years., Tony Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized--then rediscovered or transfigured in selected writings through the years., If there is one city that might be said to embody both reason and desire, it would surely be Venice: a thousand-year triumph of rational legislation, aesthetic and sensual self-expression, and self-creation--powerful, lovely, serene. Unique in so many ways, Venice is also unique in its relation to writing. London has Dickens, Paris has Balzac, Saint Petersburg has Dostoevsky, Dublin has Joyce, but there is simply no comparable writer for, or out of, Venice. Venice effectively disappeared from history altogether in 1797 after its defeat by Napoleon. From then on, it seemed to exist as a curiously marooned spectacle. Literally marooned--the city mysteriously growing out of the sea, the beautiful stone impossibly floating on water--but temporally marooned as well, stagnating outside history. Yet as spectacle, as the beautiful city par excellence, the city of art, the city as art and as spectacular example, as the greatest and richest republic in the history of the world, now declined and fallen, Venice became an important site for the European imagination. Watery, dark, silent, a place of sensuality and secrecy; of masks and masquerading; of an always possibly treacherous beauty; of Desdemona and Iago, Shylock, Volpone; of conspiracy and courtesans in Otway; an obvious setting for many Gothic novels--Venice is not written from the inside but variously appropriated from without. Venice--the place, the name, the dream--seems to lend itself to a whole variety of appreciations, recuperations, and and hallucinations. In decay and decline, yet saturated with secret sexuality--suggesting a heady compound of death and desire--Venice becomes for many writers what is was for Byron: both "the greenest island of my imagination" and a "sea-sodom." It also, as this book tries to show, plays a crucial role in the development of modern writing. Tony Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized--then rediscovered or transfigured in selected writings through the years.
LC Classification Number
PN56.3.V4.T36 1992
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