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Francis Bacon: Incunabula
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Francis Bacon: Incunabula
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Francis Bacon: Incunabula

Friends of the SFPL Books and Media
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    Bevindt zich in: San Francisco, California, Verenigde Staten
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    eBay-objectnummer:276812103687
    Laatst bijgewerkt op 29 sep 2025 02:07:16 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

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    Specificaties

    Objectstaat
    Goed: Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd ...
    ISBN
    9780500093443

    Over dit product

    Product Identifiers

    Publisher
    Thames & Hudson
    ISBN-10
    050009344X
    ISBN-13
    9780500093443
    eBay Product ID (ePID)
    20038303244

    Product Key Features

    Book Title
    Francis Bacon: Incunabula
    Number of Pages
    224 Pages
    Language
    English
    Topic
    Individual Artists / General, Literary, Subjects & Themes / Human Figure
    Publication Year
    2009
    Illustrator
    Yes
    Genre
    Art, Biography & Autobiography
    Author
    Martin Harrison, Rebecca Daniels
    Format
    Hardcover

    Dimensions

    Item Height
    1.1 in
    Item Weight
    58.1 Oz
    Item Length
    12.2 in
    Item Width
    9.9 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2009-455029
    Reviews
    The longer we study the images reproduced so handsomely in this book, the more we appreciate how indispensable they were to the artist., Beautifully designed and printed, this will be helpful to anyone studying the painter and his work. A welcome addition to all major art collections., "Beautifully designed and printed, this will be helpful to anyone studying the painter and his work. A welcome addition to all major art collections." "The longer we study the images reproduced so handsomely in this book, the more we appreciate how indispensable they were to the artist."
    Synopsis
    In 1949 Francis Bacon found his subject - the human body - and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his 'studies'. His paintings bore witness to the shattered psychology of the time and shot him to a prominence that hardly diminished over the next fifty years, and that continues to rise. This book presents many of the 'working documents' about which Bacon was entirely secretive but which, it emerges, were integral to his creative process. Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Nearly all previously unseen, these visually thrilling documents demonstrate Bacon's unerring eye for seeking out visual stimulation in the most unexpected places. His paintings emerged from a dialogue between great art of the past, photographic imagery of the present and early cinema. This unique selection of material - thoroughly researched, meticulously documented and compellingly presented - will provide an invaluable insight into both the artist's work and working methods., In 1949 Francis Bacon found his subject--the human body--and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his studies. This book presents over 200 of these documents, about which Bacon was secretive but which, it emerges, were integral to his creative process. Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books, and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Previously unseen, these visually thrilling documents demonstrate Bacon's tactile, visceral relationship with his sources and his unerring eye for seeking out visual stimulation in the most unexpected places. This unique selection of material from Bacon's sudio--meticulously documented and compellingly presented--will provide an invaluable insight into both the artist's work and his working methods. Martin Harrison is the author of In Camera: Francis Bacon., In 1949 Francis Bacon found his main subject, the human body, and from then on it remained his principal theme. But he did not paint from life. Instead, he took from images from the mass media - newspapers, magazines, books, photos - and drew on them for his paintings., In 1949 Francis Bacon found his subject--the human body--and from then on it remained his principal theme. But he did not paint from life. Instead he appropriated images from the mass media that he manipulated into his "studies." This book presents over 200 of these documents, about which Bacon was secretive but which, it emerges, were integral to his creative process. Culled from thousands of pieces of original material found in his studio, including newspapers, magazines, books, and photographs, these items have each been exhaustively and minutely researched, providing for the first time comprehensive details of the artist's sources. Previously unseen, these visually thrilling documents demonstrate Bacon's tactile, visceral relationship with his sources and his unerring eye for seeking out visual stimulation in the most unexpected places. This unique selection of material from Bacon's sudio--meticulously documented and compellingly presented--will provide an invaluable insight into both the artist's work and his working methods. Martin Harrison is the author of In Camera: Francis Bacon.
    LC Classification Number
    ND497.B16

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