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Quentin Tarantino Interviews, PB, Conversations with Filmmakers Series, No Marks
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eBay-objectnummer:235548088941
Specificaties
- Objectstaat
- Subtitle
- Interviews
- EAN
- 9781578060511
- ISBN
- 9781578060511
- Release Year
- 1998
- Contributor
- Gerald Peary (Edited by)
- Title
- Quentin Tarantino
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- Edition
- First Edition
- Vintage
- Yes
- Release Date
- 08/30/1998
Over dit product
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1578060516
ISBN-13
9781578060511
eBay Product ID (ePID)
1062178
Product Key Features
Book Title
Quentin Tarantino : Interviews
Number of Pages
278 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
1998
Illustrator
Yes
Genre
Performing Arts
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14 Oz
Item Length
9.1 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Trade
LCCN
98-017837
Dewey Edition
21
Dewey Decimal
791.4/3/0233/092
Synopsis
Collected interviews with the controversial filmmaker whose films include Reservoir Dogs and Pulp Fiction, Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs, the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled ""Tarantino school,"" could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. ""I realized I didn't want to be an actor,"" he says. ""I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did."" Gerald Peary is a film critic and columnist for the Boston Phoenix, a professor of journalism and communications at Suffolk University, and a lecturer at Boston University. He is also Acting Curator of the Harvard University Film Archive., Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs, the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled "Tarantino school," could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. "I realized I didn't want to be an actor," he says. "I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did.", Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs , the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled "Tarantino school," could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. "I realized I didn't want to be an actor," he says. "I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did."
LC Classification Number
PN1998.3.H58
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