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Dennis Fuentes + the Occasional Canadians - Letter ** Free Shipping**
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Objectstaat:
“May be promotional marked, hole punched, drilled, or other cosmetic defects, discs guaranteed ”... Meer lezenover objectstaat
Heel goed
Een object dat is gebruikt, maar zich nog in zeer goede staat bevindt. Er is geen schade aan de doos of de hoes. Het object vertoont geen slijtage, krassen, scheuren of deuken. De inlegvellen en boekjes bij het object zijn inbegrepen. De vhs- of dvd-hoes is inbegrepen. De instructies en de doos van het videospel zijn inbegrepen. De kartels van de diskhouder zijn onbeschadigd. De buitenkant van het object vertoont minimale slijtage. De cd of dvd blijft niet hangen bij het afspelen. De vhs-band vertoont bij het afspelen geen onduidelijke randen. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
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Verzendkosten:
Gratis USPS Media MailTM.
Bevindt zich in: Phoenix Arizona, Verenigde Staten
Levering:
Geschatte levering tussen wo, 13 aug en za, 16 aug tot 94104
Retourbeleid:
Geen retourzendingen geaccepteerd.
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eBay-objectnummer:233710046140
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- UPC
- 0700261281902
Over dit product
Product Identifiers
Record Label
CD Baby, Cdb
UPC
0700261281902
eBay Product ID (ePID)
19046046557
Product Key Features
Format
CD
Release Year
2009
Genre
Folk
Artist
Dennis Fuentes & the Occasional Canadians
Release Title
Letters from Broken Street
Dimensions
Item Weight
0.21 lb
Additional Product Features
Number of Tracks
8
Number of Discs
1
Tracks
The Show Goes on, Five Days in May, One Flat Tire, Beautiful Again, New Years Eve, Waiting in Canada, Middle of Nowhere, The Long Goodbye
Notes
In 2007, singer/songwriter Dennis Fuentes started to experience the pains of the dreaded midlife crisis as he approached his 40th birthday. "The closer I got to turning 40, I started feeling this growing restlessness to do something completely different in my life," says the Valley Cottage, New York native. "One of my biggest life challenges is to keep from getting bored. I get bored very easily, which is one of the reasons my career path has been so ... interesting." After graduating from the College of Mount St. Vincent in 1989, Dennis worked in film and television production in New York City, Toronto, and Chicago for eight years before leap-frogging into so many jobs in the next thirteen years that a scorecard is required to keep track of them. He taught kindergarten; worked in residential real estate development; built websites for a railroad company; managed a men's necktie store; and administrated the medical practices of neurosurgeons, neurologists, and adult and pediatric neuropsychologists. "Some of these career changes were of my choosing; some were made for me. But with each change that came along, there was always this fear of the unknown. 'What if this doesn't work?' But ultimately, things had a way of working themselves out." Throughout his life's left turns, Dennis has always been accompanied by a soundtrack. His disparate career choices are matched by the range of music he's loved ever since he can remember. "I have pictures of me from around 1971 - before kindergarten - operating this big, clunky phonograph that my mother bought when she first immigrated to the United States from the Philippines in 1965. Even back then, my musical interests were really diverse. I'd sing along to records by Dean Martin, the Lennon Sisters, and the Jackson 5. My parents said I used to drive company who'd come to the house crazy because I wouldn't let anyone play any other music on the record player." Dennis absorbed the sounds of the Mamas and the Papas, Aretha Franklin, the Jefferson Airplane, and the Partridge Family in the '60s, while the '70s ushered in an appreciation for the AM radio hits of the day: Fleetwood Mac, ABBA, The Eagles -- and a generous helping of Top 40 disco. ("That was before I knew better," he laughs.) MTV came crashing through the '80s with a 24-hour parade of crazy yet hypnotic images and songs, which only fed Dennis' ever-expanding imagination. The '90s brought an exposure to the vast and, for him, uncharted territory of Canadian music - that is, music made by Canadian bands and artists, some of whom he was familiar with, but who mostly were completely foreign to him. "Working for a Canadian television production company in Toronto after university put me in touch with this world of fantastic music which I didn't get to hear back in the States. I knew that Bryan Adams, Joni Mitchell, Neil Young, and Ann Murray were Canadian, but when I would listen to Canadian radio or watch MuchMusic [Canada's version of MTV], I heard so much great music - both in English and in French - that I just wanted to dive in and learn all I could about it. In the process, I became a huge fan of so many great musicians, like Blue Rodeo, Jann Arden, Jim Bryson, The Waltons, Barenaked Ladies, Mae Moore, Luba, Luc DeLarochelliere, Scott Merritt, Gordie Sampson, Great Big Sea, and The Rankin Family." The turn of the century was marked by Dennis' growing appreciation for roots rockers and singer/songwriters (of all nationalities), thus expanding his list of favourites: John Mayer, Stephen Fearing, Jeffrey Foucault, Peter Mulvey, Dave Matthews, The Freddy Jones Band, Shawn Colvin, Laurence Jalbert, and the Wailin' Jennys. 'People thumb through my iPod and say, 'Who ARE these people?'," Dennis says proudly. "But these are bands and artists who really affect me and speak to my sense of being." That sense of self that was tested as Dennis approached 40. "With each birthday, I look back at the previous year and I'm always think
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