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THEATRE AND CARTOGRAPHIES OF POWER: REPOSITIONING THE By Analola Santana & Jimmy
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Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- ISBN-10
- 0809336316
- Book Title
- Theatre and Cartographies of Power: Repositioning the Latina/o
- Genre
- PERFORMING ARTS
- ISBN
- 9780809336319
Over dit product
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809336316
ISBN-13
9780809336319
eBay Product ID (ePID)
237535558
Product Key Features
Number of Pages
320 Pages
Language
English
Publication Name
Theatre and Cartographies of Power : Repositioning the Latina/O Americas
Subject
Theater / History & Criticism, Theater / Direction & Production, Latin America / General
Publication Year
2018
Type
Textbook
Subject Area
Performing Arts, History
Series
Theater in the Americas Ser.
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
16.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
"With great expertise, the editors arrange a contrapuntal discourse as each subsequent essay is a productive foil for a previous one or introduces a new wrinkle to the hemisphere's theatrical landscape."-- Eric Mayer-García , Theatre Journal "This compilation is a major contribution to the field of Latin/o American theatre and performance. With almost half of the contributions in translation, this edited volume succeeds in remapping our knowledge by offering theatre directors, historians, scholars, and other artists a space to share their own point of view about creation and reception.Thus this book is a gem for scholars and theatre practitioners interested in learning and teaching about the wide array of theatrical practice in the Latino/a Americas."-- Paola Hernandez , Theatre Topics "This book brings into conversation many of the world's most important Latin American theatre scholars and practitioners. Noriega and Santana present fresh themes and innovative, cutting-edge theories and artistic practices, expanding conceptions of Latin American and Latinx theatre."-- Gail A. Bulman , author of Staging Words, Performing Worlds "By including the work of cutting-edge artists alongside theatre theorists and historians, the editors also unmask the hierarchy that has often worked against the recognition that Latina/o American artists are important critical thinkers about power, representation, and violence in the Americas. I can't wait to introduce this volume to my students and colleagues."-- Patricia Ybarra , author of Performing Conquest, "This compilation is a major contribution to the field of Latin/o American theatre and performance. With almost half of the contributions in translation, this edited volume succeeds in remapping our knowledge by offering theatre directors, historians, scholars, and other artists a space to share their own point of view about creation and reception.Thus this book is a gem for scholars and theatre practitioners interested in learning and teaching about the wide array of theatrical practice in the Latino/a Americas."--Paola Hernandez, Theatre Topics "This book brings into conversation many of the world's most important Latin American theatre scholars and practitioners. Noriega and Santana present fresh themes and innovative, cutting-edge theories and artistic practices, expanding conceptions of Latin American and Latinx theatre."-- Gail A. Bulman , author of Staging Words, Performing Worlds "By including the work of cutting-edge artists alongside theatre theorists and historians, the editors also unmask the hierarchy that has often worked against the recognition that Latina/o American artists are important critical thinkers about power, representation, and violence in the Americas. I can't wait to introduce this volume to my students and colleagues."-- Patricia Ybarra , author of Performing Conquest, "This book brings into conversation many of the world's most important Latin American theatre scholars and practitioners. Noriega and Santana present fresh themes and innovative, cutting-edge theories and artistic practices, expanding conceptions of Latin American and Latinx theatre."-- Gail A. Bulman , author of Staging Words, Performing Worlds "By including the work of cutting-edge artists alongside theatre theorists and historians, the editors also unmask the hierarchy that has often worked against the recognition that Latina/o American artists are important critical thinkers about power, representation, and violence in the Americas. I can't wait to introduce this volume to my students and colleagues."-- Patricia Ybarra , author of Performing Conquest
Illustrated
Yes
Dewey Decimal
792.098
Table Of Content
List of Illustrations Acknowledgments Introduction: Subverting the Theatrical Map Jimmy A. Noriega and Analola Santana Part 1. Crafting Theoretical Frameworks from beyond the US Borders Photo Performance: Transient Corporalities Violeta Luna The Liminal as Constitutive of the Theatrical Event and the Concepts of Teatro-Matriz and Liminal Theatre Jorge Dubatti Communitas of Pain: Performativities in Mourning Ileana Diéguez Crisis, Tension, and Freedom: Theatre and the Baroque Patricio Vallejo Aristizábal A Personal Map/Living Hieroglyphs Gustavo Ott Part 2. Rethinking Histories of Geography Remapping Bogotá: Fernando de Orbea's Invented Narrative of Conquest Gad Guterman To Imagine a Nuevomexicano Theatre History Brian Eugenio Herrera Radical Exposure: Regina José Galindo's Earth Diana Taylor Searching for Home in All the Wrong Places: Why My Nuyorican Reality Is Stateless Migdalia Cruz The Ambiguity of a Country That Does Not Think: Cartographic Exercise of a Gay(?) Theatre in Peru Diego La Hoz Siempre Norteada Virginia Grise Part 3. The Historical Body: Race and Ethnicity Minstrels of Empire: Blackface and Black Labor in Panama, 1850-1914 Katherine Zien Conquering a Territory, Occupying the Stage: Notes on Black Theatre and Activism in Brazil Carlos Cortez Minchillo From My Universal Village: The Winged Word Conchi León Repositioning Migration: Trabajadores desde Otro Mundo Debra A. Castillo The Power of Space Elaine Romero Part 4. Rewriting the Nation: Theatrical Methodology and Experimentation Modernity in Crisis: Enrique Buenaventura and the New Theatre Beatriz J. Rizk Experiences from the Center of Abya Yala Roxana Avila Harper Contemporary and Andean Authorship Diego Aramburo The Flight of the Golden Falcon: A Road into War's Profound Sorrow Ana Correa Cabaret as a New Muralism Astrid Hadad Cuba: Changing Stages? Eberto García Abreu Part 5. Theatre in Motion: Global Networks and Production Practices Breaking the North-South Paradigm Claudio Valdés Kuri Buenos Aires Artists and Contemporary Transnational Performance Networks: Lola Arias Transports the Real Jean Graham-Jones Zoot Suit in Mexico City: Mapping a New American Theatre Alma Martinez Latina Performance North and Transnational Acciones against Feminicide in the Americas Natalie Alvarez Inner Dance. Outer Joy. Autology. A Route. Josefina Báez The Geopolitical Challenges of Directing Bilingual Plays: From the Mainstream to the Streets Jorge Huerta Notes from a Geographer Manqué Guillermo Verdecchia Contributors Index
Synopsis
From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. In reaction to these shifting power dynamics, theatre scholars and artists have continuously rewritten and remapped Latina/o American cultural histories. Theatre and Cartographies of Power: Repositioning the Latina/o Americas , edited by Jimmy A. Noriega and Analola Santana, reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance., From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices., From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors-scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers-imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions. Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices.
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