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The Mahler Companion

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Specificaties

Objectstaat
Goed
Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd (er zijn bijvoorbeeld slijtplekken), maar er zijn geen deukjes of scheuren. De harde kaft heeft mogelijk geen stofomslag meer. De boekband vertoont minimale slijtage. De meeste bladzijden zijn onbeschadigd. Er zijn weinig vouwen en scheuren en er is vrijwel geen tekst met potlood onderstreept of met een accentueerstift gemarkeerd. Er is niet in de kantlijn geschreven. Er ontbreken geen bladzijden. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
Opmerkingen van verkoper
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Book Title
The Mahler Companion
Weight
2 lbs
Product Group
Book
IsTextBook
Yes
ISBN
9780199249657

Over dit product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199249652
ISBN-13
9780199249657
eBay Product ID (ePID)
2219880

Product Key Features

Number of Pages
668 Pages
Language
English
Publication Name
Mahler Companion
Subject
History & Criticism, Genres & Styles / Classical
Publication Year
2002
Type
Textbook
Subject Area
Music
Author
Andrew Nicholson
Format
Uk-Trade Paper

Dimensions

Item Height
1.4 in
Item Weight
52.9 Oz
Item Length
9.7 in
Item Width
7.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
TitleLeading
The
Dewey Edition
21
Reviews
'The Mahler Companion constitutes a distinguished and fitting monument to Mitchell's lifelong devotion to Mahler, and, in mustering so much talent in one volume, there is no doubt that it will deservedly take its place among the most significant publications on the composer.'Jeremy Barham, Music and Letters Vol 81, No 2 May 2000, 'Review from previous edition ...the one-stop guide to Mahler -- a volumeof essays covering the widest range of Mahlerian topics, designed both for theacademic and serious amateur music-lover...The core of the compendium is itscoverage of all the main works, carrying recent research, with plentiful musicalexamples and other illustrations.'Andrew Green, Classical Music 08/11/1999, the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover ... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations., 'beautifully produced volume ... a tribute that surveys the familiar with affectionate new insights ... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.'David Nice, BBC Music Magazine October 1999, 'Review from previous edition ...the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover...The core of the compendium is its coverage of all the main works, carrying recent research, withplentiful musical examples and other illustrations.'Andrew Green, Classical Music 08/11/1999, 'Review from previous edition ...the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover...The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.'Andrew Green, Classical Music 08/11/1999'beautifully produced volume ... a tribute that surveys the familiar with affectionate new insights ... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.'David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitchell's lifelong devotion to Mahler, and, in mustering so much talent in one volume, there is no doubt that it will deservedly take its place among the most significant publications on the composer.'Jeremy Barham, Music & Letters Vol 81, No 2 May 2000
Illustrated
Yes
Dewey Decimal
780/.92
Table Of Content
List of IllustrationsNotes on ContributorsAbbreviationsIntroduction - Andrew Nicholson1. Gustav Mahler's Vienna2. The Earliest Completed Works: A Voyage towards the First Symphony3. Mahler and Des Knaben Wunderhorn4. Todtenfeier and the Second Symphony5. Mahler and Germany6. Mahler and France7. Mahler and Debussy: Transcendence and Emotion8. A Stranger's Story: Programmes, Politics, and Mahler's Third Symphony9. 'Swallowing the Programme': Mahler's Fourth Symphony10. Mahler's 'Kammermusikton'11. Eternity or Nothingness? Mahler's Fifth Symphony12. Mahler and Holland13. The Rückert Lieder14. The Sixth Symphony15. The Seventh Symphony16. Mahler in Prague (1908)17. The Eighth Symphony18. Mahler in America19. Das Lied von der Erde20. The Ninth Symphony21. The Tenth Symphony22. Wagner, Lipiner, and the 'Purgatorio'23. Mahler and Russia24. Mahler and Japan25. Mahler in London in 189226. The Mahler Renaissance in England: Its Origins and Chronology27. Mahler and the Great Tradition: Then and NowEpilogueSelect BibliographyIndex
Synopsis
A brilliant gathering of international Mahler specialists write about Mahler's music from a variety of standpoints. The global spread of the authors is matched by a series of chapters that document the global spread of the composer's own symphonies and song cycles, while hitherto unexplored areas of research receive attention, both places (such as London and Prague) and people (Mahler's only surviving and highly talented daughter--a sculptor--Anna. In short, a volume that draws on the best resources and most up-to-date information about the composer and will undoubtedly act as the authoritative guide for Mahler enthusiasts for years to come., The Mahler Companion consists of a collection of original essays on Mahler written especially for the occasion by Mahler specialists from around the world. It addresses all parts of his life and work - symphonies, songs and song-cycles (each of which is discussed individually), his conducting activities, compositional habits, and aesthetic development - and sets these within the cultural and political context of his time. In addition, it responds to the global spread of this remarkable composer's music, and an almost universal fascination with it, by attempting to give an account of the reception of Mahler's music in many of the countries in which it eventually came to flourish, eg. Holland, France, Japan, Russia, England, and the United States. This particular series of chapters reveals that the 'Mahler Phenomenon' earned its description principally in the years after the Second World War, but also that the Mahler revival was already well under way pre-war, perhaps especially in England and the States, and most surprisingly of all, Japan.The selection of contributors, who between them cover all Mahler's musical output, shows that here too this volume significantly crosses national boundaries. The very diverse approaches, analyses and commentaries, amply illustrated with music examples, are evidence of the uniquely rich and complex character of a music that spans more than one culture and more than one century. The volumes includes the most significant and up-to-date Mahler research and debate, and illumines some hitherto unexplored areas of Mahler's life eg. his visit to London in 1892, his sculptor daughter, Anna, and the hall in which the Seventh Symphony was first performed in Prague in 1908.It has often been claimed that Mahler, born in 1860, was in fact a prophet of much that was to come in the 20th century. His later works undeniably anticipate, often with dazzling virtuosity, many of the principal techniques and aesthetics of the new century, only the first decade of which he lived to see. Small wonder that among his earliest admirers was a collective of some of the most important and innovative composers of our time, Schoenberg, Berg, and Webern. Their successors (Copland, Shostakovich, and Britten, to name a few) were to range across contrasting cultures and national frontiers.Drawing on the best resources and the most up-to-date information about the composer, this volume fulfils the need in Mahler literature for a genuinely comprehensive guide to the composer and will be the authoritative guide for Mahler enthusiasts for years to come., The Mahler Companion consists of a collection of original essays on Mahler written especially for the occasion by Mahler specialists from around the world. It addresses all parts of his life and work-- symphonies, songs and song-cycles (each of which is discussed individually), his conducting activities, compositional habits, and aesthetic development--and sets these within the cultural and political context of his time. In addition, it responds to the global spread of this remarkable composer's music, and an almost universal fascination with it, by attempting to give an account of the reception of Mahler's music in many of the countries in which it eventually came to flourish, eg. Holland, France, Japan, Russia, England, and the United States. This particular series of chapters reveals that the 'Mahler Phenomenon' earned its description principally in the years after the Second World War, but also that the Mahler revival was already well under way pre-war, perhaps especially in England and the States, and most surprisingly of all, Japan. The selection of contributors, who between them cover all Mahler's musical output, shows that here too this volume significantly crosses national boundaries. The very diverse approaches, analyses and commentaries, amply illustrated with music examples, are evidence of the uniquely rich and complex character of a music that spans more than one culture and more than one century. The volumes includes the most significant and up-to-date Mahler research and debate, and illumines some hitherto unexplored areas of Mahler's life eg. his visit to London in 1892, his sculptor daughter, Anna, and the hall in which the Seventh Symphony was first performed in Prague in 1908. It has often been claimed that Mahler, born in 1860, was in fact a prophet of much that was to come in the 20th century. His later works undeniably anticipate, often with dazzling virtuosity, many of the principal techniques and aesthetics of the new century, only the first decade of which he lived to see. Small wonder that among his earliest admirers was a collective of some of the most important and innovative composers of our time, Schoenberg, Berg, and Webern. Their successors (Copland, Shostakovich, and Britten, to name a few) were to range across contrasting cultures and national frontiers. Drawing on the best resources and the most up-to-date information about the composer, this volume fulfils the need in Mahler literature for a genuinely comprehensive guide to the composer and will be the authoritative guide for Mahler enthusiasts for years to come.
LC Classification Number
ML410.M9

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