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THE ART OF PROFESSING IN BOURBON MEXICO: CROWNED-NUN By James M. Cordova **NEW**
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THE ART OF PROFESSING IN BOURBON MEXICO: CROWNED-NUN By James M. Cordova **NEW**
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THE ART OF PROFESSING IN BOURBON MEXICO: CROWNED-NUN By James M. Cordova **NEW**

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    Specificaties

    Objectstaat
    Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
    ISBN-10
    0292753152
    Book Title
    The Art of Professing in Bourbon Mexico: Crowned-Nun Portraits
    ISBN
    9780292753150

    Over dit product

    Product Identifiers

    Publisher
    University of Texas Press
    ISBN-10
    0292753152
    ISBN-13
    9780292753150
    eBay Product ID (ePID)
    166520885

    Product Key Features

    Number of Pages
    288 Pages
    Publication Name
    Art of Professing in Bourbon Mexico : Crowned-Nun Portraits and Reform in the Convent
    Language
    English
    Subject
    Caribbean & Latin American, Latin America / Mexico, Subjects & Themes / Portraits, Christianity / Catholic, History / General
    Publication Year
    2014
    Type
    Textbook
    Author
    James M. Córdova
    Subject Area
    Art, Religion, History
    Series
    Latin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    1.1 in
    Item Weight
    22.5 Oz
    Item Length
    9.2 in
    Item Width
    6.6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2013-016387
    Reviews
    In a fascinating analysis of crowned nun portraits of New Spain, James M. Crdova examines in detail how the tradition of painting women nuns in regal attire and intricate crowns of flowers originated in the Spanish American colonies., This work makes a valuable contribution to research literature on colonial Mexico's visual culture that undergraduate students will find enlightening., In a fascinating analysis of crowned nun portraits of New Spain, James M. Córdova examines in detail how the tradition of painting women nuns in regal attire and intricate crowns of flowers originated in the Spanish American colonies.
    Dewey Edition
    23
    TitleLeading
    The
    Illustrated
    Yes
    Dewey Decimal
    757.097209033
    Table Of Content
    List of Illustrations List of Abbreviations Acknowledgments Introduction Chapter 1. Women's Religious Pathways in New Spain Chapter 2. New Spanish Portraiture and Portraits of Nuns Chapter 3. Euro-Christian Precedents in the Crowned-Nun Image Chapter 4. Indigenous Contributions to Convent Arts and Culture Chapter 5. The Profession Portrait in a Time of Crisis Chapter 6. Colonial Identity Rhetorics Epilogue Notes Glossary Bibliography Index
    Synopsis
    In the eighteenth century, New Spaniards (colonial Mexicans) so lauded their nuns that they developed a local tradition of visually opulent portraits, called monjas coronadas or "crowned nuns," that picture their subjects in regal trappings at the moment of their religious profession and in death. This study identifies these portraits as markers of a vibrant and changing society that fused together indigenous and Euro-Christian traditions and ritual practices to construct a new and complex religious identity that was unique to New Spain. To discover why crowned-nun portraits, and especially the profession portrait, were in such demand in New Spain, this book offers a pioneering interpretation of these works as significant visual contributions to a local counter-colonial discourse. James M. Córdova demonstrates that the portraits were a response to the Spanish crown's project to modify and modernize colonial society--a series of reforms instituted by the Bourbon monarchs that threatened many nuns' religious identities in New Spain. His analysis of the portraits' rhetorical devices, which visually combined Euro-Christian and Mesoamerican notions of the sacred, shows how they promoted local religious and cultural values as well as client-patron relations, all of which were under scrutiny by the colonial Church. Combining visual evidence from images of the "crowned nun" with a discussion of the nuns' actual roles in society, Córdova reveals that nuns found their greatest agency as Christ's brides, a title through which they could, and did, challenge the Church's authority when they found it intolerable., Offering a pioneering interpretation of the ?crowned nun? portrait, this book explores how visual culture contributed to local identity formation at a time when the colonial Church instituted major reforms that radically changed the face of New Spain?s co, In the eighteenth century, New Spaniards (colonial Mexicans) so lauded their nuns that they developed a local tradition of visually opulent portraits, called monjas coronadas or "crowned nuns," that picture their subjects in regal trappings at the moment of their religious profession and in death. This study identifies these portraits as markers of a vibrant and changing society that fused together indigenous and Euro-Christian traditions and ritual practices to construct a new and complex religious identity that was unique to New Spain. To discover why crowned-nun portraits, and especially the profession portrait, were in such demand in New Spain, this book offers a pioneering interpretation of these works as significant visual contributions to a local counter-colonial discourse. James M. Cordova demonstrates that the portraits were a response to the Spanish crown's project to modify and modernize colonial society--a series of reforms instituted by the Bourbon monarchs that threatened many nuns' religious identities in New Spain. His analysis of the portraits' rhetorical devices, which visually combined Euro-Christian and Mesoamerican notions of the sacred, shows how they promoted local religious and cultural values as well as client-patron relations, all of which were under scrutiny by the colonial Church. Combining visual evidence from images of the "crowned nun" with a discussion of the nuns' actual roles in society, Cordova reveals that nuns found their greatest agency as Christ's brides, a title through which they could, and did, challenge the Church's authority when they found it intolerable.
    LC Classification Number
    ND1312.M44C67 2014

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