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Steve Hauschildt - Nonlin [Used Very Good CD]
US $15,51
OngeveerEUR 13,40
Objectstaat:
“Used Very Good”
Heel goed
Een object dat is gebruikt, maar zich nog in zeer goede staat bevindt. Er is geen schade aan de doos of de hoes. Het object vertoont geen slijtage, krassen, scheuren of deuken. De inlegvellen en boekjes bij het object zijn inbegrepen. De vhs- of dvd-hoes is inbegrepen. De instructies en de doos van het videospel zijn inbegrepen. De kartels van de diskhouder zijn onbeschadigd. De buitenkant van het object vertoont minimale slijtage. De cd of dvd blijft niet hangen bij het afspelen. De vhs-band vertoont bij het afspelen geen onduidelijke randen. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken.
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Verzendkosten:
US $1,99 (ongeveer EUR 1,72) Economy Shipping.
Bevindt zich in: Shepherdsville, Kentucky, Verenigde Staten
Levering:
Geschatte levering tussen za, 9 aug en do, 14 aug tot 94104
Retourbeleid:
60 dagen om te retourneren. Verkoper betaalt voor retourzending.
Betalingen:
Winkel met vertrouwen
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:164996202368
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- “Used Very Good”
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- Nonlin
- Album Name
- Nonlin
- Type
- Album
- Brand
- Ghostly Int'l
- UPC
- 0804297834627
Over dit product
Product Identifiers
Record Label
Ghostly Int'l, Ghos
UPC
0804297834627
eBay Product ID (ePID)
19046068517
Product Key Features
Format
CD
Release Year
2019
Genre
Electronic
Artist
Hauschildt, Steve
Release Title
Nonlin
Dimensions
Item Height
0.25 in
Item Weight
0.11 lb
Item Length
5.59 in
Item Width
4.88 in
Additional Product Features
Number of Discs
1
Number of Tracks
9
Country/Region of Manufacture
United States
Tracks
1.1 Cloudloss 1.2 Subtractive Skies 1.3 A Planet Left Behind 1.4 Atteactor B 1.5 The Nature Remaining 1.6 Nonlin 1.7 Reverse Culture Music 1.8 The Spring in Chartreuse 1.9 American Spiral
Notes
Chicago-based contemporary electronic musician Steve Hauschildt has composed panoramas of synthesized sound for over a decade. First within his former band, Emeralds, an American touchstone of 2000s home-recorded psychedelic noise music, and later across a steady and critically-acclaimed stream of solo releases spanning ambient techno, arpeggiated electronica and post-kosmische styles utilizing synthesizers, computers, and digital processing. In 2018, he extended a collection of rich, visceral tracks titled Dissolvi, his first release on Ghostly International and his most collaborative work to date. Just a year later, Hauschildt returns with Nonlin, an album that's freer, leaner, and looser, both structurally and conceptually; less linear compared to it's predecessor, but still captivating. Developed and recorded in several studios during and around the edges of tour - Chicago, Los Angeles, New York, Tbilisi, and Brussels - this material emulates an alienating encounter with a smattering of places, a replicant of culture shock, a solitary and stark experience with uncanny environments, melody and dissonance as oblique locales. Nonlin finds Hauschildt evolving his palette of tools, integrating modular and granular synthesis. The improvisatory and generative nature of modular systems, when paired with his signature grid-oriented and hand-played techniques, guides these compositions slightly out of line to hypnotic effect. Opener "Cloudloss" permeates the mix with an unsettling smog, which reappears and all but engulfs "A Planet Left Behind." On cuts like "Attractor B" and "Subtractive Skies," pockets of air rest between sequenced pulses, whose crumpling and flattening folds build into a restrained rapture of crisp frequencies and milky reverb-swallowed coruscations. The album's title track and centerpiece logs on to a foreign network, a fractured percussion signal that modulates and stutters into static amidst curious melodic sparkling in the hazy bandwidth. "Reverse Culture Music" casts an elegant and brooding stream of strings, pizzicato and churning bow from Chicago cellist Lia Kohl, against chiming minimalist synth frameworks. A surprising pattern emerges in the taciturn systems at work. Hauschildt continues to expand his already horizon-wide repertoire, here exploring the effects of corrupting coordinates; a flight subject to the collapsable abilities of time in remote spaces, a smearing of the axis to elegiac ends.
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