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The Sight of Death: An Experiment in Art Writing by Professor Clark, T J: Used
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The Sight of Death: An Experiment in Art Writing by Professor Clark, T J: Used
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The Sight of Death: An Experiment in Art Writing by Professor Clark, T J: Used

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Objectstaat:
Goed
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    Bevindt zich in: Miami, Florida, Verenigde Staten
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    eBay-objectnummer:156762566315
    Laatst bijgewerkt op 18 jun 2025 03:34:12 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

    Specificaties

    Objectstaat
    Goed: Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd ...
    Pages
    272
    Publication Date
    2008-04-15
    ISBN
    9780300137583

    Over dit product

    Product Identifiers

    Publisher
    Yale University Press
    ISBN-10
    0300137583
    ISBN-13
    9780300137583
    eBay Product ID (ePID)
    64060811

    Product Key Features

    Book Title
    Sight of Death : an Experiment in Art Writing
    Number of Pages
    192 Pages
    Language
    English
    Publication Year
    2008
    Topic
    Individual Artists / General, Subjects & Themes / Landscapes & Seascapes, General
    Illustrator
    Yes
    Genre
    Art, Psychology
    Author
    T.J. CLARK
    Format
    Perfect

    Dimensions

    Item Height
    0.7 in
    Item Weight
    20.8 Oz
    Item Length
    8.3 in
    Item Width
    5.9 in

    Additional Product Features

    Intended Audience
    Trade
    Reviews
    ". . . as compelling as a thriller...Clark shows that this [book] really is the merest doorway to what is ultimately a truly sublime mystery."--John McEwan, The Tablet "What holds the reader is a vivid immersion in the author's process of discovery. His blend of thinking and noticing grips us as details are revealed in the room's ever-shifting light. . . . Numerous color plates, first of the paintings in full, then of enlarged details, train our new eyes."--Nina C. Ayoub, Chronicle of Higher Education "Provocative, insightful and . . . useful."--Edward J. Sozanski, Philadelphia Inquirer " The Sight of Death is a delight for the level of the writing, the quality of the observation, and the attention it lavishes on looking--an activity most of us take for granted."-- The Bloomsbury Review " The Sight of Death is a tour de force of looking. . . . Clark helps us see why it is so rewarding, indeed even necessary, to go back again and again to look at the same painting. He puts into words, better than anyone else I have read, why paintings can never be completely fixed in memory, but rather appear different each time we go back and see them again. . . . A deeply personal and passionate book about art, art history, and politics."--Donna Gustafson, Commonweal "Clark remains, as he has always been, an imaginative and challenging writer whose thought . . . demands serious and rigorous attention. There is no question that he renders these two painting by Poussin extraordinarily vivid and rich, prompting something akin to the intense pleasure and excitement, sudden ideas and insights that can be produced by immersion in the galleries of a first-rate museum. He is his own best example of an author who changes the way we look at a given picture via his or her exquisite immanent analysis."--James A. van Dyke, Oxford Art Journal, "Provocative, insightful and . . . useful."--Edward J. Sozanski, Philadelphia Inquirer "What holds the reader is a vivid immersion in the author's process of discovery. His blend of thinking and noticing grips us as details are revealed in the room's ever-shifting light. . . . Numerous color plates, first of the paintings in full, then of enlarged details, train our new eyes."--Nina C. Ayoub, Chronicle of Higher Education " The Sight of Death is a delight for the level of the writing, the quality of the observation, and the attention it lavishes on looking--an activity most of us take for granted."-- The Bloomsbury Review " The Sight of Death is a tour de force of looking. . . . Clark helps us see why it is so rewarding, indeed even necessary, to go back again and again to look at the same painting. He puts into words, better than anyone else I have read, why paintings can never be completely fixed in memory, but rather appear different each time we go back and see them again. . . . A deeply personal and passionate book about art, art history, and politics."--Donna Gustafson, Commonweal
    Dewey Edition
    22
    TitleLeading
    The
    Dewey Decimal
    759.4
    Synopsis
    A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm . Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations--sometimes directly personal, sometimes speaking to the wider politics of our present image-world--track the experience of viewing art through all its real-life twists and turns.
    LC Classification Number
    ND553.P8C57 2008

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