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Philosophy and the Interpretation of Pop Culture

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Objectstaat
Heel goed
Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat bevindt. De kaft is niet zichtbaar beschadigd en het eventuele stofomslag zit nog om de harde kaft heen. Er ontbreken geen bladzijden en er zijn geen bladzijden beschadigd. Er is geen tekst onderstreept of gemarkeerd en er is niet in de kantlijn geschreven. Er kunnen zeer minimale identificatiemerken aan de binnenzijde van de kaft zijn aangebracht. De slijtage is zeer minimaal. Bekijk de aanbieding van de verkoper voor de volledige details en een beschrijving van gebreken. Alle staatdefinities bekijkenwordt in nieuw venster of op nieuw tabblad geopend
Opmerkingen van verkoper
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
Yes
ISBN
9780742551756

Over dit product

Product Identifiers

Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
074255175X
ISBN-13
9780742551756
eBay Product ID (ePID)
23038876589

Product Key Features

Book Title
Philosophy and the Interpretation of Pop Culture
Number of Pages
288 Pages
Language
English
Publication Year
2006
Topic
Civilization, Popular Culture, General
Genre
Philosophy, Social Science, History
Author
Jorge J. E. Gracia
Format
Perfect

Dimensions

Item Height
0.6 in
Item Weight
14.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-004801
Dewey Edition
22
Reviews
The variety of approaches and depth of insight in this diverse set of essays makes this volume required reading for all those interested in taking philosophy out of the ivory tower., The analysis of popular culture is a booming industry. Blogs, VH1, The New York Times, heady academic conferences devoted to Buffy the Vampire Slayer: in contrast to a generation ago, it seems that everyone today is taking popular culture seriously. Some of the most insightful observations are coming from philosophers whose work can be found in this book, a rollicking collection of essays that demonstrates how useful philosophy can be in illuminating the products of mass culture., The analysis of popular culture is a booming industry. Blogs, VH1, The New York Times , heady academic conferences devoted to Buffy the Vampire Slayer : in contrast to a generation ago, it seems that everyone today is taking popular culture seriously. Some of the most insightful observations are coming from philosophers whose work can be found in this book, a rollicking collection of essays that demonstrates how useful philosophy can be in illuminating the products of mass culture., For too long, philosophers have marginalized or even ignored mass culture. This engaging anthology, which is erudite and readable, sometimes provocative but often very funny, will decisively change the way that mass culture is understood. So go for it!, "Whether we call it popular culture or mass art, there's plenty of people who think it's like junk food - bad for you. This collection by top scholars makes a strong case that there's not just some nourishment mixed in there, but even some entries worth savoring. Popular culture can educate, arouse emotions, ponder philosophy, and make esoteric allusions that reward aesthetic attention." --Cynthia A. Freeland, Professor and Chair, Department of Philosophy, University of Houston "The variety of approaches and depth of insight in this diverse set of essays makes this volume required reading for all those interested in taking philosophy out of the ivory tower." --Thomas Wartenberg, Professor of Philosophy, Mt. Holyoke College "The analysis of popular culture is a booming industry. Blogs, VH1, The New York Times , heady academic conferences devoted to Buffy the Vampire Slayer : in contrast to a generation ago, it seems that everyone today is taking popular culture seriously. Some of the most insightful observations are coming from philosophers whose work can be found in this book, a rollicking collection of essays that demonstrates how useful philosophy can be in illuminating the products of mass culture." --Robert Thompson, Trustee Professor, Media and Popular Culture and Director, Bleier Center for Television and Popular Culture, Syracuse University "The collection is fun. This book will be interesting to aestheticians and people who have been watching the popular culture and philosophy trend closely." -- Metapsychology Online "A welcome addition to the ever-growing pile of books on philosophy and popular culture." -- Journal of Aesthetic Education "For too long, philosophers have marginalized or even ignored mass culture. This engaging anthology, which is erudite and readable, sometimes provocative but often very funny, will decisively change the way that mass culture is understood. So go for it!" --David Carrier, Champney Family Professor, Case Western Reserve University/Cleveland Institute of Art, and Senior Fellow, National Center for th, The collection is fun. This book will be interesting to aestheticians and people who have been watching the popular culture and philosophy trend closely., Whether we call it popular culture or mass art, there's plenty of people who think it's like junk food -- bad for you. This collection by top scholars makes a strong case that there's not just some nourishment mixed in there, but even some entries worth savoring. Popular culture can educate, arouse emotions, ponder philosophy, and make esoteric allusions that reward aesthetic attention.
Dewey Decimal
306.01
Table Of Content
Part 1 Acknowledgements Part 2 1. Philosophy Engages Popular Culture: An Introduction Part 3 Part I: Philosophy and Popular Culture Chapter 4 2. Philosophy and the Probably Impossible Chapter 5 3. Philosophy as/and/of Popular Culture Chapter 6 4. Allusion and Intention in Popular Art Chapter 7 5. On the Ties That Bind: Characters, the Emotions, and the Popular Fictions Chapter 8 6. Liking What's Good: Why Should We? Chapter 9 7. Popular Art and Entertainment Value Part 10 Part II: Interpretation and Popular Art Forms Chapter 11 8. Popular Culture and Spontaneous Order: Or How I Learned to Stop Worrying and Love the Tube Chapter 12 9. From Horror to Hero: Film Interpretations of Stocker's Dracula Chapter 13 10. Socrates at Story Hour: Philosophy as a Subversive Motif in Children's Literature Chapter 14 11. Of Batcaves and Clock-Towers: Living Damaged Lives in Gotham City Chapter 15 12. "American Pie" and the Self-Critique of Rock 'n' Roll Chapter 16 13. Photography, Popular Epistemology, Flexible Realism, and Holistic Pragmatism
Synopsis
Comprised of thirteen articles by well-known authors, this book makes the case to philosophers that popular culture is worthy of their attention. Issues of concern include the distinction between high culture and popular culture, the aesthetic and moral value of popular culture, allusion and identification in popular culture, and special problems posed by the interpretation of popular culture. Popular art forms considered include: movies, television shows, comic books, children's stories, photographs, and rock songs., Comprised of thirteen articles by well-known authors, this book makes the case to philosophers that popular culture is worthy of their attention. Issues of concern include the distinction between high culture and popular culture, the aesthetic and moral value of popular culture, allusion and identification in popular culture, and special problems posed by the interpretation of popular culture. Popular art forms considered include movies, television shows, comic books, children's stories, photographs, and rock songs., Aristotle analyzed the popular art of his time: the tragedies and epics. Why should philosophers today not do likewise? Perhaps we can learn something from children's stories by subverting the dominant paradigm of adult authority and admitting with Socrates that we don't know all the answers. Perhaps Batman has ethical lessons to teach that generalize beyond the pages of comic books. Is it better to like Mozart than it is to like Madonna? Kurt Cobain gave voice to the attitude of a generation, singing, 'Here we are, now entertain us.' Is entertainment a bad thing, or could it actually have value-and not just instrumental value?
LC Classification Number
B59.P56 2006

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