Curatorial Activism: Towards an Ethics of Curating by Maura Reilly: New

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Publication Date
2018-03-08
ISBN
0500239703

Over dit product

Product Identifiers

Publisher
Thames & Hudson
ISBN-10
0500239703
ISBN-13
9780500239704
eBay Product ID (ePID)
240003655

Product Key Features

Book Title
Curatorial Activism : Towards an Ethics of Curating
Number of Pages
240 Pages
Language
English
Publication Year
2018
Topic
Discrimination & Race Relations, Criticism & Theory, Gender Studies, Collections, Catalogs, Exhibitions / General, History / General
Illustrator
Yes
Genre
Art, Social Science
Author
Maura Reilly
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
30.3 Oz
Item Length
9.3 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2017-945427
Dewey Edition
23
Reviews
Parlous political times call for out-of-the-box museum thinking, which is what Ms. Reilly both documents and demands in this how-to handbook for lining up art and real life., Charting a shifting role for curators, this title reveals arts professionals as becoming brokers of a sort, mediating the interests of artists, arts institutions, social activists, and museumgoers... The institutional critiques articulated here will move art museums away from longstanding bias, toward exhibiting artists previously excluded... At its most convincing, when citing statistics proving how seldom museums display art by overlooked and marginalized groups, this book will surely energize those already in agreement.
Dewey Decimal
701.03
Synopsis
A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world, Only 16% of the most recent Venice Biennale artists were female. A mere 14% of MoMA's 2016 display is by non-white artists. Only one third of artists represented by US galleries are female, but over two-thirds of the enrolment in art and art-history programmes is young women... The fight for gender and race equality in the art world is far from over. Indeed, the more closely one examines the numbers, the more glaring it becomes that white, Euro-American, heterosexual, privileged and, above all, male artists continue to dominate the art world. Arranged in thematic sections focusing on feminism, race and sexuality, this book examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Nochlin's 'Women Artists' at the LACMA in the mid-1970s to Martin's 'Carambolages' in 2016 at the Grand Palais in Paris. By exposing both the disparities and inclusive solutions, the author addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today's ever-expanding new generation of curators., Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's "Women Artists" at LACMA in the mid-1970s to Jean-Hubert Martin's "Carambolages" in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators.
LC Classification Number
N72.S6

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