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Seurat And The Avante - Garde Paul Smith hardcover
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“Used, pre-owned, very good "like new" condition. Binding intact. Pages: no rips, tears, wrinkles, ”... Meer lezenover objectstaat
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Verzendkosten:
US $5,97 (ongeveer EUR 5,12) USPS Media MailTM.
Bevindt zich in: Vernon, Michigan, Verenigde Staten
Levering:
Geschatte levering tussen ma, 11 aug en vr, 15 aug tot 94104
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eBay-objectnummer:204317255541
Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- Series
- N/A
- Subject Area
- Art History
- Educational Level
- Adult & Further Education, High School, Middle School, Vocational School
- Personalized
- No
- Level
- N/A
- Features
- Illustrated
- MPN
- N/A
- Country/Region of Manufacture
- United States
- Subject
- Art, History
- California Prop 65 Warning
- Does Not Apply
- ISBN
- 9780300070026
Over dit product
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300070020
ISBN-13
9780300070026
eBay Product ID (ePID)
299379
Product Key Features
Number of Pages
224 Pages
Publication Name
Seurat and the Avantgarde
Language
English
Subject
Individual Artists / General, Aesthetics, History / General
Publication Year
1997
Type
Textbook
Subject Area
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
51.3 Oz
Item Length
1.1 in
Item Width
1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
96-034527
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.4
Synopsis
Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by Félix Fénéon actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist., Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by F lix F n on actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist.
LC Classification Number
ND553.S52S65 1997
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Vernonstudio
100% positieve feedback•1,1K objecten verkocht
Geregistreerd als particuliere verkoperDus de consumentenrechten die voortvloeien uit EU-wetgeving voor consumentenbescherming zijn niet van toepassing. eBay-kopersbescherming geldt nog steeds voor de meeste aankopen.
Feedback verkoper (487)
- e***h (918)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopThis was a time capsule, beautiful condition and shipped nice. Thank you
- a***2 (1294)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopAs described, well packaged and shipped.
- s***u (1973)- Feedback gegeven door koper.Afgelopen maandGeverifieerde aankoopFast shipping. Great packaging. Highly recommend seller!